圣母玛利亚与婴儿圣约翰浸信会和两个普蒂（校长）；圣母玛利亚与婴儿圣若望浸礼会和普托（verso） - 美国大都会艺术博物馆展品查阅

品名（中）	圣母玛利亚与婴儿圣约翰浸信会和两个普蒂（校长）；圣母玛利亚与婴儿圣若望浸礼会和普托（verso）
品名（英）	Madonna and Child with the Infant Saint John the Baptist and Two Putti (recto); Madonna and Child with the Infant Saint John the Baptist and a Putto (verso)
入馆年号	1975年，1975.1.271
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Fra Bartolomeo (Bartolomeo di Paolo del Fattorino)【1473 至 1517】【意大利人】
创作年份	公元 1503 - 公元 1508
创作地区
分类	图画（Drawings）
尺寸	7 3/8 x 6 7/16 英寸 (18.7 x 16.3 厘米)
介绍（中）	这张纸很可能是一幅构图的探索性想法，而不是一幅特定画作的预备研究。这幅画揭示了Fra Bartolomeo使用木制模型或木偶的做法，圣母未发音的手和手腕处被截断的孩子的手臂揭示了这一点。在他的艺术家传记中，十六世纪传记作家乔治·瓦萨里（Giorgio Vasari）表示，"为了描绘窗帘、武器和其他类似的东西，"弗拉·巴托洛梅奥（Fra Bartolomeo）"制作了一个真人大小的木制模型，模型上有可移动的接缝；他穿着真正的窗帘，从中画出最美丽的东西，能够将它们固定在他想要的位置，直到他将自己的作品完美为止。"
介绍（英）	This sheet likely served as an exploratory idea for a composition rather than a preparatory study for a particular painting. This drawing sheds light upon Fra Bartolomeo’s practice of employing wooden models or puppets, revealed in the Virgin’s unarticulated hands and the arm of the Child which is truncated at the wrist. In his biography of the artist, the sixteenth-century biographer Giorgio Vasari stated that "in order to depict draperies and weapons and other such things," Fra Bartolomeo "had a life-sized wooden model made which had movable joints; and this he clothed with real draperies, from which he painted the most beautiful things, being able to keep them in position as long as he wished, until he brought his work to perfection."