麦当娜和九个天使的孩子 - 美国大都会艺术博物馆展品查阅

品名（中）	麦当娜和九个天使的孩子
品名（英）	Madonna and Child with Nine Angels
入馆年号	1975年，1975.1.1
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Segna di Buonaventura【1298 至 1331】【意大利人】
创作年份	公元 1312 - 公元 1318
创作地区
分类	绘画（Paintings）
尺寸	Left wing, overall, with engaged frame, 15 1/8 x 10 5/8 英寸 (38.4 x 27 厘米); right wing, overall, with engaged frame, 15 x 10 5/8 英寸 (38.1 x 27 厘米)
介绍（中）	这个面板和雷曼兄弟收藏中描绘十字架的另一个面板（1975.1.2）形成了一个双联画（两个面板铰接在一起，以便打开和关闭），并将用于私人奉献。圣母院的光辉之美，加上装饰性的细节，与十字架上的悲剧戏剧形成了对比，从而为崇拜者提供了两个截然不同的冥想图像。这些展板展示了赛格纳·迪布奥纳文图拉对其大师杜西奥的语言和主题的挪用。作为十四世纪最伟大的锡耶纳画家，杜西奥富有感情的人物、复杂的空间结构和对色彩的微妙运用对几代艺术家产生了影响登上宝座的圣母和圣子有时被认为反映了杜西奥1302年为锡耶纳Pubblico宫遗失的祭坛画，而"十字架"的部分与波士顿美术馆一幅便携式三联画的中央面板相呼应，该三联画由杜西奥设计，大师在工作室的协助下绘制。虽然这幅双联画的两幅都不是复制品，但这两幅都证明了杜西奥作品的巨大受欢迎程度。
介绍（英）	This panel and another in the Lehman Collection portraying the Crucifixion (1975.1.2) formed a diptych (two panels hinged together so they could open and close) and would have been used for private devotion. The radiant beauty of the Virgin’s court, enhanced by the ornamental detail, contrasts with the tragic drama of the Crucifixion, thus offering the worshipper two very different images on which to meditate. These panels reveal Segna di Buonaventura’s appropriation of the language and motifs of his master, Duccio. The greatest Sienese painter of the fourteenth century, Duccio’s emotionally expressive figures, complex spatial structures, and subtle use of color had a formative influence on generations of artists. The Madonna and Child enthroned is sometimes thought to reflect Duccio's lost altarpiece of 1302 for the Palazzo Pubblico of Siena, while parts of the "Crucifixion" echo the center panel of a portable triptych in the Boston Museum of Fine Arts that was designed by Duccio and painted by the master with workshop assistance. While neither panel of the diptych is in any way a copy, both attest to the enormous popularity of Duccio's work.