肉汤碗和盖（scodella和tagliere）从一个配件套件；埃涅阿斯带着他的父亲和儿子离开特洛伊（在碗里）；《提拉米斯和Thisbe》（封面） - 美国大都会艺术博物馆展品查阅

品名（中）	肉汤碗和盖（scodella和tagliere）从一个配件套件；埃涅阿斯带着他的父亲和儿子离开特洛伊（在碗里）；《提拉米斯和Thisbe》（封面）
品名（英）	Broth bowl and cover (scodella and tagliere) from an accouchement set; Aeneas leaving Troy with his father and son (inside bowl); Pyramis and Thisbe (on cover)
入馆年号	1975年，1975.1.1043a,b
策展部门	罗伯特·雷曼典藏系列（Robert Lehman Collection）
创作者	Baldassare Manara【1500 至 1550】【意大利人】
创作年份	公元 1527 - 公元 1543
创作地区
分类	陶瓷陶器（Ceramics-Pottery）
尺寸	高 4 1/8 英寸 (10.5 厘米); 直径 7 3/4 英寸 (19.7 厘米)
介绍（中）	巴尔达萨雷·马纳拉是活跃在法恩扎的主要陶瓷艺术家之一，在一家生产丰富、文件齐全的商店工作。这两件在分娩时制作的maiolica套装，因其复杂的古典意象和精致的铭文而极为罕见。文艺复兴时期的意大利新妈妈们通常会带着maiolica产具。虽然没有完整的一套幸存下来，但这些礼物由五个相互关联的部分组成：一个带脚的肉汤碗及其盖子（它是盘子的两倍）、一个饮用杯、一个盐池和一个盖子。在组装时，这些物体形成了一个单独的单元，内部的任何图像都被隐藏在视野之外。主题的选择可能是因为它们的象征意义：埃涅阿斯带着他的父亲离开燃烧的特洛伊，以孝顺为主题；提拉米斯和Thisbe代表爱的力量；赫拉克勒斯和尼米安狮子也许是为了预言这个刚出生的孩子的力量和美德。第一个铭文——"上帝用他的双手创造了你如此美丽，以至于在凡人眼中，你看起来比任何东方宝石都珍贵"——一定是指母亲。其他铭文与它们配对的场景并不完全对应，可能是由于画家的错误。
介绍（英）	Baldassare Manara was one of the principal ceramics artists active in Faenza, working in a productive and well-documented shop. These two pieces of a maiolica set, produced on the occasion of childbirth, are highly unusual for their complex classical imagery and their elaborate inscriptions. New mothers in Renaissance Italy were often presented with maiolica birth sets. Although no complete set survives, these gifts consisted of five interlocking pieces: a footed broth bowl and its cover (which doubled as a plate), a drinking cup, a saltcellar, and a lid. When assembled, these objects formed a single unit and any imagery on the interior—in this case, a series of scenes from ancient mythology—was hidden from view. The subjects may have been chosen for their symbolic meanings: Aeneas carrying his father out of burning Troy for its theme of filial piety; Pyramis and Thisbe for the power of love; and Hercules and the Nemean Lion perhaps to foretell the strength and virtues of the child just born. The first of the inscriptions—"God with his hands created you so fair that now to mortal eyes you appear more precious than any oriental gem"—must have referred to the mother. The other inscriptions do not entirely correspond to the scenes with which they have been paired, perhaps due to an error on the part of the painter.