带有最后判决的吊坠奖章 - 美国大都会艺术博物馆展品查阅

品名（中）	带有最后判决的吊坠奖章
品名（英）	Pendant Medallion with the Last Judgment
入馆年号	1917年，17.190.894
策展部门	中世纪艺术（Medieval Art）
创作者
创作年份	公元 1415 - 公元 1425
创作地区	制造于: 法国, 巴黎（Made in: France, Paris）
分类	常春藤（Ivories）
尺寸	整体: 3 1/8 x 2 3/8 x 1/2 英寸 (8 x 6 x 1.2 厘米) Ivory only: 1 15/16 x 1/8 英寸 (4.9 x 0.3 厘米)
介绍（中）	14世纪末和15世纪初，北欧象牙供应短缺，导致赞助人和工匠将象牙视为宝石。除了明亮的多色和丰富的镀金层外，小部分象牙的穿孔微型雕刻模仿了15世纪之交（17.190.913）最流行的珍贵ronde bosse珐琅。这枚奖章描绘了最后的审判。基督被钉上十字架的伤口，坐在彩虹宝座上的草山上，双脚放在金色的地球仪上。他的左手举起祝福，右手放下谴责。带着他激情象征的天使在两侧肩上盘旋。左边的圣母玛利亚和右边的福音传道者约翰跪在请愿书上，向下面坟墓里出来的人求饶。其中包括一位主教、一位剃度的僧侣、两位年轻女性和一位老人。基督钢铁般的凝视直接指向观众，似乎表明所有人都会受到审判。这枚奖章提醒它的主人要为自己的最终判断做好准备。
介绍（英）	The short supply of elephant tusks in northern Europe in the late fourteenth and early fifteenth centuries led patrons and artisans to treat ivory almost as a precious stone. The pierced micro-carving of small sections of ivory in addition to bright layers of polychromy and rich gilding emulated the precious ronde bosse enamels that were the height of fashion at the turn of the fifteenth century (17.190.913). This medallion depicts the Last Judgment. Christ, marked with the wounds of the Crucifixion, sits above a grassy hill on a rainbow throne, his feet resting on the golden globe. His left hand is raised in benediction and his right lowered in damnation. Angels carrying the symbols of his Passion hover over either shoulder. The Virgin Mary, on his left, and John the Evangelist, on his right, kneel in petition, begging for mercy upon the individuals emerging from graves below. These include a bishop, a tonsured monk, two young women, and an elderly man. Christ's steely gaze addresses the viewer directly, seemingly indicating that judgment will come to all. This medallion reminded its owner to prepare well for his or her own final judgment.