基督下葬 - 美国大都会艺术博物馆展品查阅

品名（中）	基督下葬
品名（英）	The Entombment of Christ
入馆年号	1982年，1982.60.398
策展部门	中世纪艺术（Medieval Art）
创作者
创作年份	公元 1390 - 公元 1405
创作地区	制造于: 法国, 巴黎（Made in: France, Paris）
分类	珐琅Ronde Bosse（Enamels-Ronde Bosse）
尺寸	整体: 3 7/16 x 3 1/16 x 3/16 英寸 (8.7 x 7.7 x 0.5 厘米)
介绍（中）	基督被钉十字架后的埋葬在四福音书中有不同的描述。每一笔账目都记录了现场有一个富人，亚利马太的约瑟；和他在一起的，是抹大拉的马利亚和雅各的母亲马利亚。然而，只有《圣约翰福音》提到法利赛人尼哥底母在场。如图所示，没有一本福音书描述了聚集在棺材前的哀悼者，但对这群人的描述在哥特式时期的法国艺术中是典型的大约在1400年，用于这块牌匾的珐琅工艺成为法国皇家宫廷金匠作品的标志。它的效果就像珠宝一样，将明亮的颜色，以及石棺上斑驳的灰色和圣母礼服上的花卉图案与精细的金色结合在一起，正如在精确详细的地貌和金色地面上点画的卷轴图案中所看到的那样。
介绍（英）	The entombment of Christ after the Crucifixion is variously described in the Four Gospels. Each of the accounts notes the presence of a wealthy man at the scene, Joseph of Arimathea; with him, according to Matthew and Mark, were Mary Magdalene and Mary, the mother of James. However, only the Gospel of Saint John refers to Nicodemus, a Pharisee, as being in attendance. None of the Gospels describes the crowd of mourners gathered at the bier, as seen here, but the depiction of such a group is typical in French art of the Gothic period. About 1400, the technique of enameling en ronde-bosse, which was used for this plaque, became a hallmark of goldsmiths' work for the French royal court. Jewel-like in its effect, it combines luminous color-as well as, here, the mottled gray of the sarcophagus and the floral patterning on the Virgin's gown-with finely detailed goldwork, as seen in the precisely detailed physiognomies and the scroll pattern stippled on the gold ground.