萨拉戈萨圣文森特传说中的场景及其遗迹历史 - 美国大都会艺术博物馆展品查阅

品名（中）	萨拉戈萨圣文森特传说中的场景及其遗迹历史
品名（英）	Scenes from the Legend of Saint Vincent of Saragossa and the History of His Relics
入馆年号	1924年，24.167a-k
策展部门	中世纪艺术（Medieval Art）
创作者
创作年份	公元 1245 - 公元 1247
创作地区	制造于: 法国, 巴黎（Made in: France, Paris）
分类	玻璃染色（Glass-Stained）
尺寸	整体: 147 x 43 1/2英寸 (373.4 x 110.5厘米) 整体 (Installation Opening): 144 x 41 1/2 英寸 (365.8 x 105.4 厘米)
介绍（中）	圣日耳曼德斯的僧侣们对圣文森特（公元304年）有着特殊的虔诚，因为他们的修道院是为了接收圣文森特束腰外衣的遗迹而建的。这件文物是由墨洛温国王Childebert（公元558年）从西班牙运来的，他骑在马背上。这扇窗户的其余场景是由一个更大的合奏组合而成的，展示了圣文森特与罗马总督达契安的对抗。其中包括，从底层看：达契安之前的两名警卫；瓦莱里乌斯主教和圣文森特戴着镣铐，达契安谴责他们；Childebert国王和Clothar国王在前往西班牙的途中；瓦莱里乌斯和文森特被带进了监狱；文森特的尸体被扔进了海里，一个人从塔上吹着一只奥列芬特。窗户最上面的嵌板上装饰着一个巨大的天使和塔楼就像路易九世的皇家小教堂圣夏贝尔的当代著名窗户一样，这些嵌板清楚地表明，到13世纪中叶，巴黎是一种新的、富有表现力的玻璃绘画风格的主要中心。
介绍（英）	The monks of Saint-Germain-des-Prés had a special devotion for Saint Vincent (d. 304), as their abbey had been founded to receive a relic of the saint’s tunic. The relic had been transported from Spain by the Merovingian king Childebert (d. 558), who is shown here on horseback. The remaining scenes of this window, which is a composite from a larger ensemble, illustrate Saint Vincent’s confrontations with the Roman proconsul Dacian. These include, from the bottom: two guards before Dacian; Bishop Valerius and Saint Vincent in chains with Dacian condemning them; King Childebert and King Clothar on their way to Spain; Valerius and Vincent led to prison; Vincent’s body thrown into the sea and a man blowing an oliphant from a tower. A censing angel and tower decorate the uppermost panel of the window. Like the contemporary, famous windows of Louis IX’s royal chapel, Sainte-Chapelle, these panels make it clear that by the middle of the thirteenth century Paris was the leading center for a new, expressive style of glass painting.