基督生来就是人类的救赎者（《救赎人类的故事》插曲） - 美国大都会艺术博物馆展品查阅

品名（中）	基督生来就是人类的救赎者（《救赎人类的故事》插曲）
品名（英）	Christ Is Born as Man's Redeemer (Episode from the Story of the Redemption of Man)
入馆年号	1938年，38.28
策展部门	修道院（The Cloisters）
创作者
创作年份	公元 1500 - 公元 1520
创作地区
分类	纺织品挂毯（Textiles-Tapestries）
尺寸	整体: 166 1/4 x 315 1/8 英寸 (422.3 x 800.4 厘米)
介绍（中）	这幅挂毯及其丰富而复杂的图像是阐述基督救赎人类故事的十幅系列中的第四幅。该系列一方面揭示了人类从恩典中堕落，尽管美德提供了帮助，但仍无法抗拒诱惑，另一方面，基督的使命是使人类与上帝和好，从而实现救赎。这些扩展视觉叙事的内容来自基督教经文以及中世纪的寓言、诗歌和戏剧，也许最终是基于神秘或道德剧。树木、植物和水道将各个情节分开。（确定主题并在线条图中翻译铭文。挂毯中的各个场景与荷兰艺术家的当代面板画作相对应，尤其是罗吉尔·范德魏登。可能是该系列的不知名设计师是画家，或者活跃在包括画家在内的工作室中。编织的质量和风格表明该系列是在布鲁塞尔创作的。这幅挂毯和该系列中的其他七幅挂毯由布尔戈斯主教胡安·罗德里格斯·德丰塞卡收藏，他从 1514 年到 1524 年去世。
介绍（英）	This tapestry with its rich and complex imagery is the fourth in a series of ten expounding the story of Christ’s redemption of mankind. The series reveals, on the one hand, mankind’s fall from grace and its inability to resist temptation in spite of the assistance offered by the Virtues, and, on the other, Christ’s mission to reconcile mankind with God and thus achieve redemption. The content of these extended visual narratives is drawn from Christian scriptures as well as from medieval allegory, poetry, and drama, and is perhaps based ultimately on a mystery or morality play. Trees, flora, and waterways separate the various episodes. (The subjects are identified and the inscriptions translated in the line drawing.) The individual scenes in the tapestry have counterparts in contemporary panel paintings by Netherlandish artists, notably Rogier van der Weyden. It may be that the unknown designers of the series were painters or were active in a workshop that included painters. The quality and style of the weaving suggest that the series was created in Brussels. This tapestry and seven others from the series were in the collection of Juan Rodríguez de Fonseca, bishop of Burgos from 1514 until his death in 1524.