带有San Millán的面板 - 美国大都会艺术博物馆展品查阅

品名（中）	带有San Millán的面板
品名（英）	Panel with San Millán
入馆年号	1987年，1987.89
策展部门	修道院（The Cloisters）
创作者	Master Engelram and his son Redolfo【1060 至 1095】【西班牙人】
创作年份	公元 1060 - 公元 1080
创作地区	制造于: 西班牙, 拉里奥哈（Made in: Spain, La Rioja）
分类	Ivores大象（Ivories-Elephant）
尺寸	整体: 8 1/8 x 3 x 1/4 英寸 (20.6 x 7.6 x 0.7 厘米)
介绍（中）	六世纪西班牙圣人阿米利安的遗物被安置在一个由象牙、黄金和宝石制成的华丽神殿中。我们非常了解这个圣骨箱，它是在1067年将圣人的遗物从苏索修道院翻译（或运输）到圣米兰·德拉科戈拉教堂时制作的。尽管圣骨箱在1809年拿破仑入侵西班牙期间遭到破坏，但我们从1601年的描述中知道，修道院的牌匾装饰了神殿的屋顶。在上面，我们看到圣人在底部的寄存器中照料他的羊，而在上面，他在山顶接受上帝之手的祝福除了这块牌匾，该神社的其他几件象牙也保存在欧洲和美国的收藏中。其中一幅位于圣彼得堡国立埃尔米塔什博物馆，描绘了象牙雕刻师和他的助手在工作室里的情景，并刻有铭文，表明他们是恩格尔拉姆大师和他的儿子雷多尔福。这样的艺术家形象在这一时期很少见，按名字识别艺术家的做法也是如此。
介绍（英）	The relics of the sixth-century Spanish saint Aemilian were housed in an ornate shrine crafted of ivory, gold, and gems. We are remarkably well informed about the reliquary, which was made on the occasion of the translation (or transport) of the saint's relics from the monastery of Suso to the church of San Millán de la Cogolla, dedicated in 1067. Although the reliquary was damaged during the Napoleonic invasion of Spain in 1809, we know from a 1601 description that The Cloisters' plaque decorated the roof of the shrine. On it we see the saint tending his sheep in the bottom register, while above he receives a blessing from the hand of God at the top of a mountain. In addition to this plaque, several other ivories from the shrine survive in European and American collections. One, in the State Hermitage Museum, Saint Petersburg, depicts the ivory carver and his assistant in the workshop and bears an inscription that identifies them as Master Engelram and his son Redolfo. Such images of artists were rare in this period, as was the practice of identifying artists by name.