乌尔格尔伯爵埃蒙戈尔七世墓 - 美国大都会艺术博物馆展品查阅

品名（中）	乌尔格尔伯爵埃蒙戈尔七世墓
品名（英）	Tomb of Ermengol VII, Count of Urgell
入馆年号	1928年，28.95a–xx
策展部门	修道院（The Cloisters）
创作者
创作年份	公元 1297 - 公元 1353
创作地区	制造于: 西班牙, 加泰罗尼亚, 莱里达（Made in: Spain, Catalonia, Lerida）
分类	雕塑石（Sculpture-Stone）
尺寸	89 x 79 1/2 x 35 英寸 (226.1 x 201.9 x 88.9 厘米)
介绍（中）	乌尔格尔伯爵埃尔蒙戈尔十世于1314年去世，重建了哥特式风格的Les Avellanes修道院教堂。他打算在教堂里建立一个家庭埋葬小教堂，现在围绕着这个房间的三堵墙建造的三座大坟墓可能都可以追溯到那个时候。据说，这座陵墓是为存放埃尔蒙戈尔七世的遗骸而建造的，埃尔蒙戈尔七世死于1184年，被错误地认为是他在贝尔普伊格·德莱斯·阿维利亚内斯建立了现在的修道院。该合奏团由不同但现代的元素组成，可能是在18世纪修道院恢复活力时以现在的形式组合在一起的，当时修道院院长正试图通过历史权利重建土地和水的所有权。肖像的严肃风格——一个细长的人物披上光滑的下降褶皱，无视其俯卧姿势，一张苍白的脸被精心制作和丰富的表面细节所抵消。
介绍（英）	The rebuilding of the monastic church at Les Avellanes in the Gothic style was undertaken by Ermengol X, count of Urgell, who died in 1314. It was his intention to establish a family burial chapel in the church, and the three large tombs now assembled around the three walls of this room may all date from that time. This tomb ensemble is said to have been made to house the remains of Ermengol VII, who died in 1184 and who was erroneously thought to have founded the present monastery at Bellpuig de les Avellanes. The ensemble was constructed of disparate but contemporary elements and was probably put together in its present form in the eighteenth century when the monastery was revitalized and the abbot was attempting to reestablish land and water claims through historical right. The severe style of the effigy—an elongated figure draped in smooth descending folds defying its prone position and a drawn cadaverous face—is offset by elaborate and richly worked surface detail.