Predella面板上方的圣母玛利亚和五位站立的圣徒 - 美国大都会艺术博物馆展品查阅

品名（中）	Predella面板上方的圣母玛利亚和五位站立的圣徒
品名（英）	The Virgin Mary and Five Standing Saints above Predella Panels
入馆年号	1937年，37.52.1–.6
策展部门	修道院（The Cloisters）
创作者
创作年份	公元 1440 - 公元 1446
创作地区	制造于: 莱茵河谷（Made in: Rhine Valley）
分类	玻璃染色（Glass-Stained）
尺寸	Each window 12 ft. 4 1/2 英寸 x 28 1/4 英寸 (337.2 x 71.8 厘米)
介绍（中）	左边的三把柳叶刀最初被放置在科布伦茨附近Boppard am Rhein的前Carmelite教堂的北中殿，高于右边的三把。细长的人物被包裹在柔软的拖尾窗帘中，放在高耸的檐篷下，这表明这位玻璃画家精通下莱茵兰的流行风格，尤其是科隆的风格。在布料和肉色色调上，对灰色（灰色阴影）的明显偏好进一步表明了科隆的联系。在左边，通雷斯主教圣塞尔瓦提乌斯手持教皇赠送给他的一把钥匙，以表彰他与异端的斗争，象征着他践踏的龙。圣迈克尔（Saint Michael）在下面呼应了反宗教的提法，他衡量灵魂，践踏邪恶。圣母穿着一件饰有玉米或小麦图案的长袍出现，这是一种源自圣母将她比作一片用生命之面包滋养人类的麦田的图像类型。在她下面是列日主教的手臂，他的教区可能捐赠了这扇窗户。圣凯瑟琳下面是库珀公会的臂膀，她是该公会的守护神。圣多萝西由基督之子陪同。
介绍（英）	The three lancets on the left were originally placed over the three on the right in the north nave of the former Carmelite church at Boppard-am-Rhein near Koblenz. The slender, elongated figures enveloped in soft, trailing drapery and placed under soaring canopies suggest that the glass painter was well versed in the prevailing style of the Lower Rhineland, particularly that of Cologne. The marked preference for grisaille (shades of gray), both in drapery and flesh tones, further indicates a Cologne connection. At the left Saint Servatius, bishop of Tongres, holds a key presented to him by the pope in recognition of his fight against heresy, symbolized by the dragon he tramples. The antiheretical reference is echoed below by Saint Michael, who weighs souls and tramples evil. The Virgin appears in a robe adorned with representations of corn or wheat, an iconographic type stemming from litanies of the Virgin likening her to a field of grain nourishing humankind with the bread of life. Beneath her are the arms of the bishop of Liège, whose diocese may have donated the window. Below Saint Catherine are the arms of the coopers' guild of which she was patron saint. Saint Dorothy is shown accompanied by the Christ Child.