与圣彼得烈士和三位捐赠者的演示场景 - 美国大都会艺术博物馆展品查阅

品名（中）	与圣彼得烈士和三位捐赠者的演示场景
品名（英）	Presentation Scene with Saint Peter Martyr and Three Donors
入馆年号	2001年，2001.221
策展部门	修道院（The Cloisters）
创作者	Giovanni di Balduccio【1318 至 1349】【意大利人】
创作年份	公元 1337 - 公元 1343
创作地区	制造于: 意大利, 伦巴第, 米兰（Made in: Italy, Lombardy, Milan）
分类	雕塑石（Sculpture-Stone）
尺寸	整体: 31 1/2 x 33 7/8 x 5 11/16英寸 (80 x 86 x 14.5厘米)
介绍（中）	Giovanni di Balduccio在比萨接受培训，以将托斯卡纳雕塑家的创新带到意大利北部而闻名。这幅画以安静的纪念性描绘了穿着多米尼加服装的大胡子圣彼得烈士（卒于 1252 年）的站立形象。头部伤口，他的主要属性，与右手的（恢复的）殉道手掌一起清晰可见。圣徒的斗篷被他伸出的双臂打开，框住了三个祈祷的捐赠者人物，而他将手放在他们中最年长和最小的人的头上。这种浮雕雕刻在白色细粒大理石上，镶嵌在略粗糙、灰色大理石的框架中。该雕塑是从最初位于米兰圣欧斯托吉奥教堂的坟墓中幸存下来的三块大理石板之一。受损的中央面板（米兰斯福尔扎城堡）描绘了两个天使之间的登基圣母和圣婴，最初在观众左侧的浮雕（米兰圣欧斯托吉奥）显示施洗者圣约翰和四个跪着的捐赠者，其构图反映了博物馆的面板，该面板一定在右侧。支撑人物的壁架下方的模制和袖子下侧的纽扣等细节表明，浮雕旨在高于视线水平。
介绍（英）	Trained in Pisa, Giovanni di Balduccio is noted for bringing the innovations of Tuscan sculptors to northern Italy. With quiet monumentality, this panel depicts the standing image of the bearded Saint Peter Martyr (d. 1252) wearing Dominican garb. The head wound, his primary attribute, is clearly visible along with a (restored) palm of martyrdom in his right hand. The saint's cloak, held open by his outstretched arms, frames three praying donor figures, while he places his hands on the heads of the oldest and the youngest of them. This relief is carved in a white fine-grained marble set into a frame of slightly coarser, grayer marble. The sculpture is one of three marble panels to survive from a tomb originally in the Milanese church of Sant'Eustorgio. The damaged central panel (Castello Sforzesco, Milan) depicts the Enthroned Virgin and Child between two angels, and the relief originally on the viewer's left (Saint'Eustorgio, Milan) shows Saint John the Baptist with four kneeling donors in a composition that mirrors the Museum's panel, which must have been on the right. Details such as the molding beneath the ledge supporting the figures and the buttons on the undersides of the sleeves suggest that the reliefs were intended to be above eye level.