圣餐杯 - 美国大都会艺术博物馆展品查阅

品名（中）	圣餐杯
品名（英）	Chalice
入馆年号	2010年，2010.109.6
策展部门	中世纪艺术（Medieval Art）
创作者
创作年份	公元 1462
创作地区
分类	金属制品银（Metalwork-Silver）
尺寸	整体: 8 7/16 x 5 1/2 英寸 (21.5 x 14 厘米) diam. of cup: 4 3/16 英寸 (10.6 厘米)
介绍（中）	高级教会官员会在特殊场合使用这个华丽的哥特式圣杯，而这个物体五颜六色、闪闪发光的外观会与透过彩色玻璃窗的五彩阳光和谐相处。精致的掐丝珐琅的宏伟与"特兰西瓦尼亚时尚"（modo transilvano）一词联系在一起。除了珠光宝气的例子外，像这样色彩艳丽的珐琅酒杯是中欧、东南欧和意大利北部（包括威尼斯）教堂宝库的骄傲，它与十五世纪的匈牙利王国有着共同的边界。在十六世纪的宗教改革中，教会的大部分白银都被销毁了。圣杯上写着1462年的日期，并命名了原本不为人知的捐赠者尼古拉斯·辛诺维奇。这件物品本身与其杰出的出处一样引人注目，来自维也纳纳撒尼尔·德·罗斯柴尔德男爵的收藏。
介绍（英）	High-ranking church officials would have used this flamboyant Gothic chalice on special occasions, and the object’s colorful and glittering appearance would have been in divine harmony with the multicolored sunlight coming through the stained glass windows. The grandeur of the delicate filigree enameling became associated with the term modo transilvano, or, “in the Transylvanian fashion.” Along with bejeweled examples, ostentatiously colorful, enameled chalices, such as this one, were the pride of church treasuries in Central and Southeastern Europe and Northern Italy, including Venice, which had a common border with the fifteenth-century Hungarian Kingdom. The majority of ecclesiastical silver was destroyed during the Reformation in the sixteenth- century. The chalice bears the date 1462 and names the otherwise unknown donor Nicolas Cynowec. The object itself is equally illustrious as its distinguished provenance, from the collection of Baron Nathaniel de Rothschild in Vienna.