“秋番红花”花瓶 - 美国大都会艺术博物馆展品查阅

品名（中）	“秋番红花”花瓶
品名（英）	"Autumn Crocus" Vase
入馆年号	1984年，1984.553
策展部门	现代与当代艺术（Modern and Contemporary Art）
创作者	Emile Gallé【1846 至 1904】【法国人】
创作年份	公元 1900
创作地区
分类	玻璃（Glass）
尺寸	高 17-3/8, 宽 3-3/4 英寸 (44.1 x 9.5 厘米.); base 宽 4-1/2 英寸 (11.4 厘米)
介绍（中）	Gallé小时候通过观看父亲为南希的一家零售店吹玻璃制品来学习玻璃制作，他继续在魏玛、巴黎和伦敦学习。到1874年，他成为了父亲繁荣企业的艺术总监，并开始在自己的工厂生产艺术玻璃。在19世纪80年代和19世纪90年代，他制造了大量的生产线灯具、花瓶和餐具，同时开发了创造和装饰独特玻璃器皿的原始技术，包括marqueterie de verre，这是一种受木材镶嵌装饰或镶嵌装饰启发的技术。Gallé在物体制作过程中，将成型的热玻璃片压入物体的柔韧主体中；一旦平面冷却，就可以雕刻、雕刻或用额外的玻璃装饰。作为一名植物学学生和一名热情的园丁，Gallé特别喜欢新艺术运动的自然主义；秋天细长的紫色番红花被他视为忧郁之美的象征，成为一系列花瓶的主题，包括这只在marqueterie de verre制作的花瓶。
介绍（英）	Having learned glassmaking as a child by watching his father blow glass objects for the family's retail shop in Nancy, Gallé continued his studies in Weimar, Paris, and London. By 1874 he had become artistic director of his father's prosperous business and had begun to produce art glass in his own factory. During the 1880s and 1890s he made vast quantities of production-line lamps, vases, and tableware while developing original techniques for creating and decorating unique glass vessels, including marqueterie de verre, a technique inspired by inlaid decoration, or marquetry, in wood. Gallé pressed shaped pieces of hot glass into the pliable body of an object as it was being made; once the flat surface had cooled, it could be engraved, carved, or embellished with additional applications of glass. A student of botany and an enthusiastic gardener, Gallé was particularly taken with the naturalism of Art Nouveau; the elongated purple crocuses of fall, which he saw as a symbol of melancholic beauty, became the theme for a series of vases, including this one made in marqueterie de verre.