溪山间的阴宅 - 美国大都会艺术博物馆展品查阅

品名（中）	溪山间的阴宅
品名（英）	Shaded Dwellings among Streams and Mountains
入馆年号	1979年，1979.75.2
策展部门	亚洲艺术（Asian Art）
创作者	Dong Qichang【1555 至 1636】【中国人】
创作年份	公元 1612 - 公元 1635
创作地区
分类	绘画（Paintings）
尺寸	图像: 62 3/8 x 28 3/8 英寸 (158.4 x 72.1 厘米) 整体 with mounting: 99 x 33 1/8 英寸 (251.5 x 84.1 厘米) 整体 with knobs: 99 x 37 英寸 (251.5 x 94 厘米)
介绍（中）	董启昌是十七世纪初最重要的风景画家和理论家，他追求艺术改革。针对他所认为的当代山水画的颓废、反常趋势，董遵循文人传统，通过对古代风格的批判性研究，寻求对过去的创造性重建。为了恢复绘画的简单性和活力，董提倡与古代大师的艺术进行精神上的对应，而不是字面上的模仿，并强调了自我表达的重要性。董将绘画视为书法，在他的风景中交替使用正反图案，从而产生了一种全新的动觉风格。《溪山之间的阴影住宅》改编自早期大师董源（930-60年代）的作品，是对岩石和树木形态的复杂书法研究，被认为是抽象、立方体和动态表现力质量的整合，这些质量体现并通过艺术家身体运动的动能统一起来。
介绍（英）	Dong Qichang, the foremost landscape painter and theorist of the early seventeenth century, pursued artistic reform. Reacting against what he perceived as the decadent, perverse trends of contemporary landscape painting, Dong, following in the literati tradition, sought a creative reconstruction of the past through the critical study of ancient styles. In an attempt to restore simplicity and vitality to painting, Dong advocated a spiritual correspondence with the art of the old masters rather than a literal imitation of them and underscored the importance of self-expression. Approaching painting as though it were calligraphy, Dong alternated positive and negative patterns in his landscapes, which resulted in a radical new kinesthetic style. Shaded Dwellings among Streams and Mountains, based on a work by the early master Dong Yuan (act. 930s–60s), is a complex calligraphic study of rock and tree forms conceived as an integration of abstract, cubic, and dynamically expressive masses that embody and are unified by the kinetic energy of the artist's physical movements.