王伟诗歌 - 美国大都会艺术博物馆展品查阅

品名（中）	王伟诗歌
品名（英）	Poem by Wang Wei
入馆年号	1989年，1989.363.100
策展部门	亚洲艺术（Asian Art）
创作者	Dong Qichang【1555 至 1636】【中国人】
创作年份	公元 1632 - 公元 1636
创作地区
分类	书法（Calligraphy）
尺寸	图像: 74 3/8 × 29 1/4 英寸 (188.9 × 74.3 厘米) 整体 with mounting: 8 ft. 7 3/4 英寸 × 34 1/4 英寸 (263.5 × 87 厘米) 整体 with knobs: 8 ft. 7 3/4 英寸 × 38 英寸 (263.5 × 96.5 厘米)
介绍（中）	作为一名极具影响力的画家和艺术理论家，董其昌也以其书法而闻名，与邢彤（1551-11612）、米万忠（约1595-1631年）和张瑞图（1570-1614年）一起被认为是晚明四大家之一正如他在绘画中所做的那样，董的书法灵感来自古代大师。为了捕捉模特的精神而不是身体上的相似之处，他的写作风格保持了独特的风格。与其他晚明艺术家的书法所表现出的笔触粗糙的力量形成对比的是，董的流畅线条，由于他不断地扭动笔尖，时而潮湿，时而干燥，具有巨大的优雅。董氏写出了王维（700–761）的一首诗：在群山之间，我们相互告别<当我关上荆棘之门时，太阳正在落山每年的春草都是绿色的但是年轻的王子还会回来吗？
介绍（英）	Immensely influential as a painter and art theorist, Dong Qichang is also renowned for his calligraphy, and, together with Xing Tong (1551–1612), Mi Wanzhong (act. ca. 1595–after 1631), and Zhang Ruitu (1570–1614), he is considered one of the Four Masters of the late Ming. As he did in his painting, Dong drew inspiration for his calligraphy from the ancient masters. Aimed at capturing the spirit rather than the physical likeness of his models, his writing style remained distinctively his own. In contrast to the brusque coarse power displayed by the calligraphy of other late Ming artists, Dong's fluid lines, alternately wet and dry from his constant twisting of the brush tip, possess tremendous grace. Dong wrote out a poem by Wang Wei (700–761): Among the mountains we bid each other farewell; The sun is setting as I close my bramble gate. Spring grass every year is green; But will the young prince ever return?