柳树枝上的小鸟和芙蓉花 - 美国大都会艺术博物馆展品查阅

品名（中）	柳树枝上的小鸟和芙蓉花
品名（英）	Small Birds on a Willow Branch and Hibiscus Blossoms
入馆年号	1975年，1975.268.117
策展部门	亚洲艺术（Asian Art）
创作者	Tsubaki Chinzan【1801 至 1854】【日本人】
创作年份	公元 1850
创作地区
分类	绘画（Paintings）
尺寸	图像: 43 3/8 x 17 1/2 英寸 (110.2 x 44.4 厘米) 整体: 75 3/8 x 30 3/8英寸 (191.5 x 77.2 厘米)
介绍（中）	钦赞在江户的一个武士家庭长大。他师从南加画家塔尼·邦奇（1763–1840）和渡边和山（1793–1841），并青睐明朝（1368–1644）的中国文人艺术家。他专攻花鸟画，热衷于参茶仪式，期间他会欣赏同事们收藏的中国画和古物。他用一首诗加强了这幅画，这首诗暗指唐朝诗人白居易（772-846）的《长恨歌》。在书中，钦赞想象月亮照在太爷湖的脸上，并怀疑是否有人，一个他无法直接识别的人，仍然在深夜的天空中跳舞。当秋风的清新空气将他从沉思中唤醒时，他发现自己仍然能闻到露水上的花香。在原诗中，皇帝发现，在他美丽的爱情不幸去世后，太爷湖畔的芙蓉杨贵妃让他想起了她的脸，而未央宫的柳树则让他想起她的眉毛。通过这种方式，当代诗歌和绘画被古代文本结合在一起。
介绍（英）	Chinzan was raised in Edo in a samurai family. He trained under the Nanga painters Tani Bunchō (1763–1840) and Watanabe Kazan (1793–1841) and favored Chinese literati artists of the Ming dynasty (1368–1644). Specializing in paintings of birds and flowers, he was an avid participant in sencha tea ceremonies, during which he would enjoy viewings of Chinese paintings and antiquities owned by his associates. He enhanced this painting with a poem that alludes to a passage from the "Song of Everlasting Sorrow" by the Tang dynasty (618–906) poet Bai Juyi (772–846). In it, Chinzan imagines the moon shining on the face of Lake Taiye and wonders if someone, a person he does not directly identify, still dances in the heavens in the deep of night. As the crisp autumn air of the west wind awakens him from his musings, he finds he can still smell her fragrance on the dew. In the original poem, the emperor discovers that, after the tragic death of his beautiful love, Yang Guifei, the hibiscus by Lake Taiye reminds him of her face, while the willows at Weiyang Palace recall her eyebrows. In this way, the contemporary poem and painting are brought together by the ancient text.