樱花 - 美国大都会艺术博物馆展品查阅

品名（中）	樱花
品名（英）	Cherry Blossoms
入馆年号	1975年，1975.268.77
策展部门	亚洲艺术（Asian Art）
创作者	Matsumura Goshun【1752 至 1811】【日本人】
创作年份	公元 1752 - 公元 1799
创作地区
分类	绘画（Paintings）
尺寸	69 x 36 7/8 英寸 (175.2 x 93.6 厘米)
介绍（中）	春风弥漫着古老樱花树枝上脆弱花朵的现实而抒情的景象。樱花是日本艺术中最常见的图像之一，它深深植根于日本文化。外出观赏短命的花朵是一种由来已久的流行消遣，这幅作品深刻地捕捉到了春天下午在樱花树下悠闲漫步的效果尽管其构图改编自中国水墨画中对梅花的传统描绘，但Goshun的绘画以其从绘画和诗歌老师Yosa Buson（1716–1783）那里学到的俳句为灵感，将诗意与丸山Okyo（1733–1795）发展的自然主义和三维效果相结合而闻名。1782年，他采用了这幅画上出现的"Goshun"这个名字，五年后的1787年，他接受了Okyo作为他的新导师。这幅画仍然保留了布森的大部分抒情风格，应该是在那一日期之后不久。
介绍（英）	Spring breezes suffuse the atmosphere of this realistic yet lyrical vision of fragile blossoms on the branch of an ancient cherry tree. One of the most familiar images in Japanese art, the blossoming cherry has deep roots in Japanese culture. Outings to view the short-lived blossoms were a long-established popular pastime, and this work poignantly captures the effect of a leisurely stroll beneath a cherry tree on a spring afternoon. Although its composition is adapted from the conventional depiction of plum blossoms in Chinese ink paintings, Goshun's painting is notable for the combination of poetic lyricism inspired by haikai verse, learned from his painting and poetry teacher Yosa Buson (1716–1783), with the naturalism and threedimensional effects developed by Maruyama Okyo (1733–1795). In 1782 he adopted the name "Goshun" that appears on this painting, and five years later, in 1787, he took up Okyo as his new mentor. This painting, which still preserves a large measure of Buson's lyricism, should be dated shortly after that date.