黄山龙松 - 美国大都会艺术博物馆展品查阅

品名（中）	黄山龙松
品名（英）	Dragon Pine on Mount Huang
入馆年号	1976年，1976.1.2
策展部门	亚洲艺术（Asian Art）
创作者	Unidentified artist
创作年份	公元 1650 - 公元 1670
创作地区
分类	绘画（Paintings）
尺寸	图像: 76 1/4 x 31 英寸 (193.7 x 78.7 厘米) 整体 with mounting: 120 1/4 x 38 1/2 英寸 (305.4 x 97.8 厘米) 整体 with knobs: 120 1/4 x 41 3/4 英寸 (305.4 x 106 厘米)
介绍（中）	这幅不朽的作品是僧画家弘仁在安徽黄山风景区为数众多的奇异松树画像之一。他是安徽画派的领军人物，他们的共同纽带是对黄山崎岖景色的迷恋。弘仁崇尚线条式的干涩，与元代隐逸画家倪赞（1306-1374）崇高的道德品质相呼应。强烈的情感潜伏在洪仁看似冷静和超然的风格表面之下弘仁是明朝的忠实拥护者，1645年满族征服南方后，他成为了一名佛教僧侣。他的诗刻在这幅画上，暗示了长期以来与大松联系在一起的耐力和生存的主题：盘绕在山峰上，他的体格非常棒他多大了？男人能说什么长生不老药，在时间的开始， [松树的]浓密的鳞片和爪子已经完全生长。
介绍（英）	This monumental work is one of the monk-painter Hongren's many portraits of the powerfully eccentric pines on Mount Huang, a scenic spot in Anhui Province. He was a guiding figure of the Anhui school of painters, whose common bond was their fascination with the rugged scenery of Mount Huang. Hongren favored a dry linear style that echoed the lofty moral character of the Yuan dynasty recluse-painter Ni Zan (1306–1374). Intense emotion lurks beneath the surface of Hongren's seemingly cool and detached style. A staunch Ming loyalist, Hongren became a Buddhist monk after the Manchu conquest of the south in 1645. His poem, inscribed on this painting, alludes to the theme of endurance and survival, long associated with the great pine: Coiled above a mountain peak, his physique is superb. How old is he? What man can tell? the elixir of immortality, at the beginning of time, [The pine's] dense scales and claws were already fully grown.