吴镇之后的风景 - 美国大都会艺术博物馆展品查阅

品名（中）	吴镇之后的风景
品名（英）	Landscape after Wu Zhen
入馆年号	1989年，1989.363.156
策展部门	亚洲艺术（Asian Art）
创作者	Wang Yuanqi【1642 至 1715】【中国人】
创作年份	公元 1695
创作地区
分类	绘画（Paintings）
尺寸	图像: 42 3/4 x 20 1/4 英寸 (108.6 x 51.4 厘米) 整体 with mounting: 84 x 27 1/2 英寸 (213.4 x 69.9 厘米) 整体 with knobs: 84 x 31 3/4 英寸 (213.4 x 80.6 厘米)
介绍（中）	根据他的铭文，王元琦以元画家吴震（1280-1354）的方式绘制了这幅风景画。但在王的演绎中，吴震独特的拖拽纹理笔触和点缀的成语被用在前景和远处的山脉融合成抽象构图能量的连续"龙脉"中，营造出密集的图案场景。王的诗中写道：从前，吴道子（活跃于8世纪）看到费敏表演剑舞，他画了一幅画。当张旭（活跃于8世纪中叶）看到承运人平衡杆子负载的方式时，他的"草稿"脚本变得更加精致。看到邵九基，我欣喜若狂，忽然有了领悟，随便拍了这张照片。虽然过去和现在的画家无法相互接触，但头脑理解的东西和手的反应——这对所有人都意味着同样。我把这个送出去是为了笑。（Ashwin Lippe， trans.， Laurence Sickman， ed.， Chinese Calliography and Painting in the Collection of John M. Crawford， Jr. [New York： Pierpont Morgan Library， 1962]， p. 164）
介绍（英）	According to his inscription, Wang Yuanqi did this landscape in the manner of the Yuan painter Wu Zhen (1280–1354). But in Wang's interpretation, Wu Zhen's distinctive idiom of dragged texture strokes and dotting has been used to create a densely patterned scene in which foreground and distant mountains are fused into a continuous "dragon vein" of abstract compositional energy. Wang's poem reads: In olden days, Wu Daozi [active 8th century] saw Fei Min perform in a sword dance, and, letting his brush fly, he did a wall painting. When Zhang Xu [active mid-8th century] saw the way the carriers balance the loads on their poles, his "draft" script became even more refined. When I saw Shao Jiuji, I joyously had a sudden insight and casually did this picture. Although past and present painters cannot reach each other, yet what the mind comprehends and the hand responds to—this means the same for all. I am giving this away for a laugh. (Ashwin Lippe, trans., in Laurence Sickman, ed., Chinese Calligraphy and Painting in the Collection of John M. Crawford, Jr. [New York: Pierpont Morgan Library, 1962], p. 164)