风景与书法 - 美国大都会艺术博物馆展品查阅

品名（中）	风景与书法
品名（英）	Landscapes and Calligraphy
入馆年号	1981年，1981.285.8a–f
策展部门	亚洲艺术（Asian Art）
创作者	Gao Fenghan【1683 至 1748】【中国人】
创作年份	公元 1736
创作地区
分类	绘画（Paintings）
尺寸	Each leaf: 12 1/2 x 9 3/4 英寸 (31.8 x 24.8 厘米)
介绍（中）	1727年，高凤翰通过了地方公务员考试，在安徽省担任了大约十年的小官僚。1737年，高不仅失去了政府职位，而且他的右手突然因急性风湿病而瘫痪。他痛苦地训练自己用左手写字和画画，开始欣赏他左手笔触的粗鲁笨拙——这是他用右手无法达到的品质。通过绘画养活自己，他搬到了扬州的一座佛教寺院，在那里他与被称为扬州八怪的不拘一格的艺术家群体成为了亲密的朋友。1741年，他离开扬州，回到山东老家这张1736年的小专辑是在高失去右手功能的一年前制作的。这表明这位艺术家已经在以一种高度个人主义、天真的风格工作，这在一定程度上反映了他与古代杰作缺乏接触。与从宋元文人艺术家的作品中汲取灵感的正统派画家不同，高在他的铭文中揭示了他对近现代职业画家的艺术亏欠，如蓝盈（1585年至1664年之后）、龚贤（1619年？1689年）和戴本孝（1621年至1698年）。
介绍（英）	Passing the local-level civil-service examination in 1727, Gao Fenghan served as a petty bureaucrat in Anhui Province for about a decade. Then, in 1737, Gao not only lost his government position but his right hand suddenly became paralyzed from acute rheumatism. Painfully training himself to write and paint with his left hand, he came to prize the crude awkwardness of his left-handed brushwork—a quality he had been unable to attain with his right hand. Supporting himself through his painting, he moved to a Buddhist monastery in Yangzhou, where he became close friends with the eclectic group of artists known as the Eight Eccentrics of Yangzhou. In 1741 he left Yangzhou and retired to his hometown in Shandong Province. This small album, dated 1736, was done one year before Gao lost the use of his right hand. It shows the artist already working in a highly individualistic, naive style that reflects, in part, his lack of contact with ancient masterpieces. In contrast to Orthodox School painters, who drew inspiration from the works of Song and Yuan scholar-artists, Gao reveals in his inscriptions his artistic debt to near-contemporary professional painters such as Lan Ying (1585–after 1664), Gong Xian (1619?–1689), and Dai Benxiao (1621–1698).