帝国侍卫詹银宝画像 - 美国大都会艺术博物馆展品查阅

品名（中）	帝国侍卫詹银宝画像
品名（英）	Portrait of the Imperial Bodyguard Zhanyinbao
入馆年号	1986年，1986.206
策展部门	亚洲艺术（Asian Art）
创作者	Unidentified artist
创作年份	公元 1760
创作地区
分类	绘画（Paintings）
尺寸	Painting and inscription: 74 1/4 x 37 7/16 英寸 (188.6 x 95.1 厘米) 整体 with mounting: 130 1/2 x 46 3/8 英寸 (331.5 x 117.8 厘米) 整体 with knobs: 130 1/2 x 50 1/4 英寸 (331.5 x 127.6 厘米)
介绍（中）	在清朝的满族皇帝统治下，肖像画再次成为一种重要的宫廷赞助艺术。这幅一级侍卫的全身肖像画来自乾隆皇帝（1736-95年在位）委托制作的一套100幅忠臣和勇士的肖像画，最初悬挂在帝国华彩殿（紫光阁），紫禁城中皇帝接受贡品和招待外国使者的亭子画作上方的汉文和满文题诗赞扬了詹银宝在中亚沙漠荒原上对抗游牧叛军的英勇：赤手空拳骑着巨鲸，在战斗中俘获了韦诺<土匪的头被串在一起他的长枪的长度他双手高举宣战书一路前往巴里坤[新江省] 他没有[甚至停下来]梳理马鬃，就回来向指挥官报告了。
介绍（英）	Under the Manchu emperors of the Qing dynasty, portraiture again became an important court-sponsored art. This full-length depiction of an imperial bodyguard of the first rank is from a set of one hundred portraits of loyal officials and valiant warriors commissioned by the Qianlong emperor (r. 1736–95) that originally hung in the Hall of Imperial Brilliance (Ziguang Ge), the pavilion in the Forbidden City where the emperor received tribute offerings and entertained foreign emissaries. The poem inscribed in both Chinese and Manchu above the painting lauds Zhanyinbao's valor in combating nomadic rebels in the desert wastes of Central Asia: Barehanded he rode the giant whale, Capturing Weinuo in battle. The bandits' heads were strung together The length of his long lance. With both hands he held open the declaration of war All the way to Balikun [in Sinjiang Province]. Without [even pausing] to comb his horse's mane, He returned and reported to his commander.