菊花和服合奏 - 美国大都会艺术博物馆展品查阅

品名（中）	菊花和服合奏
品名（英）	Kimono Ensemble with Chrysanthemums
入馆年号	1998年，1998.487.2a, b
策展部门	亚洲艺术（Asian Art）
创作者
创作年份	公元 1912 - 公元 1926
创作地区
分类	服装（Costumes）
尺寸	(a): H (shoulder to hem) 62 英寸 (157.5 厘米); W (wrist opening to wrist opening) 49 英寸 (124.5 厘米) (b): H (shoulder to hem) 62 5/8 英寸 (159 厘米); W (wrist opening to wrist opening) 49 3/4 英寸 (126.4 厘米)
介绍（中）	1920 年代见证了业余菊花爱好者协会在日本的兴起，这件和服的底部摆放着壮观的菊花，细长的花瓣在丰富的蓝色地面上动态向上弯曲。在外袍上，叶子上绣有圆形细节的金色金属线，可能代表露珠，家族徽章在五个地方被染成白色。在内袍上，下半部分内外呼应了外袍的菊花图案。上部在平纹丝绸上染色，对角线带交替为绿松石色和红色，每条带都有不完整的风格化麻叶几何图案（asa-no-ha）。鲜艳的色彩和图案的绘画性执行是大正时代的特征。一位新娘在1923年的婚礼当天穿着这套和服。
介绍（英）	The 1920s witnessed the rise in Japan of associations of amateur chrysanthemum enthusiasts, and a stand of spectacular chrysanthemums commands the bottom of this kimono, with their slender petals curving dynamically upward against the rich blue ground. On the outer robe, the leaves are embroidered with couched gold metallic threads in circular details that may represent dewdrops and the family crest is resist dyed in white in five places. On the inner robe, the lower section echoes the chrysanthemum pattern of the outer robe both inside and out. The upper section is stitch-resist dyed on plain-weave silk with diagonal bands alternating turquoise and red, each with an incomplete geometric pattern of stylized hemp leaves (asa-no-ha). The vivid colors and the painterly execution of the pattern are characteristic of the Taishō period. A bride wore this kimono ensemble on her wedding day in 1923.