三重强奸 - 美国大都会艺术博物馆展品查阅

品名（中）	三重强奸
品名（英）	Treble Viol
入馆年号	1889年，89.4.946
策展部门	乐器（Musical Instruments）
创作者	Jean Ouvrard【1720 至 1748】【法国人】
创作年份	公元 1726
创作地区	法国, 巴黎（France, Paris）
分类	合唱歌手卢特鞠躬（Chordophone-Lute-bowed-fretted）
尺寸	Body length: 34.5 厘米. Body width: upper bout 16.5 厘米. center bout 11.2 厘米. lower bout 19.5 厘米. Rib height: top block: 5.4 厘米. center bout 6.95 厘米 bottom block 7/15 厘米. String length: 37.0 厘米.
介绍（中）	这把高音小提琴保留了其原始的琴颈、指板和尾件，是专业音乐家乐器完好无损的罕见例子。小提琴是文艺复兴晚期最受尊敬的弓形乐器，直到十八世纪才逐渐被小提琴家族取代。小提琴的特点是平背，倾斜的肩膀和六到七根弦，所有这些特征都将它们与小提琴家族的成员区分开来。所有小提琴都以膝盖之间的直立位置演奏，或da gamba（"在腿部"），弓掌朝上。他们的声音比小提琴家族的声音更安静，更不明亮，但文艺复兴时期的人文主义者认为更悦耳。四到六把小提琴的室内乐是在文艺复兴时期和巴洛克时期创作的，低音小提琴的独奏作品一直演奏到18世纪末。
介绍（英）	This treble viol retains its original neck, fingerboard, and tailpiece, and is a rare example of a professional musician's instrument in unaltered condition. Viols were the most esteemed bowed instruments of the late Renaissance, and only gradually displaced by the violin family in the eighteenth century. Viols feature flat backs, sloping shoulders, and six or seven strings, all features which distinguish them from members of the violin family. All viols are played in an upright position between the knees, or da gamba ("at the leg"), and the bow is held palm upwards. Their sound is quieter and less brilliant than that of the violin family, yet considered more pleasing to the ear by Renaissance humanists. Chamber music for consorts of four to six viols was composed during the Renaissance and Baroque eras, and solo works for the bass viol were played until nearly the end of the 18th century.