E-flat中的喇叭 - 美国大都会艺术博物馆展品查阅

品名（中）	E-flat中的喇叭
品名（英）	Fanfare trumpet in E-flat
入馆年号	1889年，89.4.1628
策展部门	乐器（Musical Instruments）
创作者	Adolphe (Antoine Joseph) Sax【1814 至 1894】【比利时人，活跃于法国】
创作年份	公元 1856
创作地区	法国, 巴黎（France, Paris）
分类	Aerophone嘴唇振动小号/长号（Aerophone-Lip Vibrated-trumpet / trombone）
尺寸	高 (Without mouthpiece): 32 3/8 英寸 (82.2 厘米) Diameter (Of bell): 5 5/16 英寸 (13.5 厘米)
介绍（中）	这种游行号角的形式受到了古希腊和罗马仪式号角的启发。萨克斯最初于1852年设计了这种乐器，用于拿破仑三世皇帝的中央花园。这种乐器是供应给比利时图尔胡特的温代尔城堡的一套游行小号的一部分，可能至少由15种乐器组成。这套乐器中的另外四件现存于布鲁塞尔的乐器博物馆。所有这些乐器的钟上都有一个浅浮雕铜徽章，上面描绘了温代尔城堡，并刻有一个大的首字母M。这指的是比利时银行家Josse Pierre Matthieu，他于1833年购买了温代尔堡，并在被法国革命军摧毁后对其进行了修复，或是他的儿子Joseph Louis Matthieu在1877年对城堡进行了改造。大都会博物馆的游行号角是这些乐器中唯一带有AIS标志的 Wynendale套装中幸存的游行号角的日期一直是许多研究的焦点。序列号将生产年份确定为1856年。这些小号是萨克斯库存中一批未售出乐器的一部分。随后，每一枚都被加盖了SEUL/GRAND PRIX/1867的印章，以纪念萨克斯在巴黎环球展览上的成功。这些乐器的铃铛上对温代尔城堡的描绘显示了1877年约瑟夫·路易斯·马蒂厄以浪漫化的新哥特式形式改造后的城堡外观。这表明购买这套小号是为了纪念城堡的重新开放。布鲁塞尔乐器博物馆中的四种乐器随后被凯撒·斯诺克收购，并在其1903年的《弗拉芒和奈兰代尔音乐收藏目录》中进行了描述。人们对大都会博物馆赠送的游行喇叭的出处知之甚少。早期记录表明，这种已经不复存在的仪器的外壳被标记为"根特"，这可能表明它与斯诺克有关。
介绍（英）	The form of this parade trumpet was inspired by the ceremonial trumpets of ancient Greece and Rome. Sax initially devised the instrument in 1852 for use in L'Escadron des Cent Gardes of Emperor Napoleon III. This instrument was part of a set of parade trumpets supplied to Wynendaele Castel in Tourhout, Belgium that probably consisted of at least 15 instruments. Four other instruments from this set survive in the Musical Instruments Museum in Brussels. All of these instruments bear a bas-relief copper badge on the bell depicting Wynendale Castle and have been engraved with a large initial M. This refers to the Belgian banker Josse-Pierre Matthieu, who purchased Wynendaele Castle in 1833 and restored it after its destruction by the French Revolutionary Army, or to his son Joseph Louis Matthieu, who remodeled the castle in 1877. The parade trumpet at the Metropolitan Museum is the only one of these instruments to bear the AIS mark. The date of the surviving parade trumpets from the Wynendaele set has been the focus of much research. The serial numbers establish the year of manufacture as 1856. The trumpets were part of a batch of unsold instruments that remained in Sax’s stock. Each has been subsequently stamped SEUL/GRAND PRIX/ 1867 to note Sax’s success at the Universal Exhibition in Paris. The depiction of Wynendaele Castle on the bells of these instruments shows the façade of the castle after it was remodeled in a romanticized, neo-gothic form by Joseph Louis Matthieu in 1877. This suggests that the set of trumpets was purchased to commemorate the reopening of the castle. The four instruments in the Musical Instruments Museum in Brussels were subsequently acquired by Caesar Snoeck and are described in his 1903 Catalogue de la collection d’instruments de musique Flamands et Néerlandais formée par C.C. Snoeck. Little is known of the provenance of the parade trumpet given to the Metropolitan Museum. Early records indicate that the case of this instrument, which no longer survives, was marked "Ghent", perhaps suggesting a link with Snoeck.