《安东尼乌斯》小提琴 - 美国大都会艺术博物馆展品查阅

品名（中）	《安东尼乌斯》小提琴
品名（英）	"The Antonius" Violin
入馆年号	1934年，34.86.1a
策展部门	乐器（Musical Instruments）
创作者	Antonio Stradivari【1644 至 1737】【意大利人】
创作年份	公元 1711
创作地区	意大利, 克雷莫纳（Italy, Cremona）
分类	合唱歌手卢特鞠躬未解冻（Chordophone-Lute-bowed-unfretted）
尺寸	高: 23 英寸 (58.4 厘米) 宽: 8 英寸 (20.3 厘米)
介绍（中）	安东尼奥·斯特拉迪瓦里长期以来被认为是尼科尔·阿玛蒂的学徒，但人口普查文件没有将斯特拉迪瓦里列为阿玛蒂家庭中的一个杂货铺。斯特拉迪瓦里早期的乐器确实显示出阿玛蒂的风格影响，但由于吉拉莫二世和尼科洛是斯特拉迪瓦利形成时期克雷莫纳的主要制造者，因此斯特拉迪瓦丽很自然会受到他们作品的影响。安东尼奥·斯特拉迪瓦里与他的两个儿子弗朗切斯科（1671-1743）和奥莫博诺（1679-1742）一起工作，今天有600多件乐器从这个巨大的作坊中幸存下来。斯特拉迪瓦里在其漫长的职业生涯中尝试了小提琴的形状和拱形，并根据多种尺寸和比例制作了乐器。斯特拉迪瓦里使用了比他的前任更平的拱，这有助于产生更有力的音调。在大约1700年至1720年间，斯特拉迪瓦里创作了许多他最优秀的小提琴，这被称为他的"黄金时期"
介绍（英）	Antonio Stradivari has long been thought to have been an apprentice of Nicolò Amati, but census documents do not list Stradivari as a garzone (shopboy) in the Amati household. Stradivari's early instruments do show the stylistic influence of the Amati, but as Girolamo II and Nicolò were the principal makers in Cremona during Stradivari's formative years, it would be natural for Stradivari to have been influenced by their work. Antonio Stradivari worked with two of his sons, Francesco (1671-1743) and Omobono (1679-1742), and today over 600 instruments survive from this prodigious workshop. Stradivari experimented with the shape and arching of the violin and made instruments according to many dimensions and proportions during his long career. Stradivari employed flatter arching than his predecessors, and this contributed to the production of a more powerful tone. During the period from about 1700 to 1720, Stradivari produced many of his finest violins and this is known as his "Golden Period."