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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)室内器官
品名(英)Chamber Organ
入馆年号1949年,49.90
策展部门乐器Musical Instruments
创作者George Clisbee【1828 至 1885】【美国人】
创作年份公元 1835 - 公元 1870
创作地区美国, 马萨诸塞州, 马尔伯勒(United States, Massachusetts, Marlborough)
分类航空电话风琴(Aerophone-Organ)
尺寸高:184.2 厘米 (72-½ 英寸) 宽: 121 厘米 (48 英寸) Depth: 66 厘米 (26 英寸) Three-octave span: 49.4 厘米 (19-7/16 英寸)
介绍(中)腔室风琴是一种中等大小的管道管风琴。它通常只有一本手册,有限的停止次数,以及有限的踏板或根本没有踏板。它通常用于小教堂、家庭或其他私密房间。由于它能够长时间持续音色,因此有时比大键琴作为室内合奏中的连续乐器更可取。

这种乐器也可能用于小教堂,就像十九世纪在美国各地的小城镇和村庄中发现的教堂一样。本世纪中叶以后,室内管风琴在很大程度上被簧管风琴篡夺。

技术描述:一把 53 音符手动 F-a3,象牙色天然,乌木锐器; 从胸部后部布置,低音排列在两侧:8' 停止低音 F-c,8' 停止长笛来自 c# (从 a#2 打开),4' 打开主音(每侧四个低音管),8' 长笛停止 f-cl,从 c#1 打开(可能常见的 8' 停止低音 F-f); 两个带有象牙色中心点的木旋钮显然控制着两个前寄存器; 背面寄存器没有幻灯片;所有带硬木帽的针叶树(可能是云杉)管;塞子逐渐变细,但低音塞子除外,低音塞子是非锥形的;无划痕,开放式支脚,顶部用软金属刀片调谐的开放式管道;胸部下方的单折喂料器由前部的单踏板操作;箱体顶部的单折储液罐,通过木管连接到进料器;从 C# 开始,跟踪器扇出到胸部后面的托盘箱;低音 (F-c) 有八个滚轮,必须始终打开,因为托盘箱只有 45 个音符;两个前寄存器的停止动作使用两个沉重的木连接,显然是从单件铣削而成的,这也形成了柄和旋钮;胸部低音端下方的四个杂项弹簧可能是为了减轻僵硬音符的动作;案例可能是桃花心木,重度清漆,半圆形的中央正面,金色的假管后面有织物(可能是丝绸),侧板上也有相同的织物;由沉重的弯曲腿支撑,前两个正面有雕刻的叶子图案;机雕扇贝图案侧翼键盘。(劳伦斯·利宾 1997)
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介绍(英)The chamber organ is a moderately-sized piped organ. It typically has a single manual, a limited number of stops, and a limited pedalboard or no pedals at all. It is generally intended for use in small chapels, in homes, or other intimate rooms. As it is capable of long sustained tones, it is sometimes preferable to harpsichord as a continuo instrument in chamber ensembles.

Such instruments might also be used in small churches, like those found in small towns and villages throughout the United States in the nineteenth century. Chamber organs were largely usurped by reed organs after the middle of the century.

Technical description: One 53-note manual F-a3 with ivory naturals, ebony sharps; disposition from rear of chest, with basses arranged at sides: 8' Stopped Bass F-c, 8' Stopped Flute from c# (open from a#2), 4' open Principal (four bass pipes on each side), 8' Flute stopped f-cl, open from c#1 (probably common 8' stopped bass F-f); two wood knobs with ivory center dot apparently control two front registers; no slide for back register; all pipes of conifer (possibly spruce) with hardwood caps; stoppers tapered except for bass stoppers which are untapered; no nicking, open feet, open pipes tuned with soft metal blades at top; single-fold feeder under chest operated by single pedal at front; single-fold reservoir on top of case, connected by wood ducts to feeder; from c#, trackers fan out to pallet box at back of chest; bass (F-c) has eight rollers and must always be on since pallet box has only 45 notes; stop action for two front registers uses two heavy wood connections apparently milled from single piece which also forms shank and knob; four miscellaneous springs below bass end of chest perhaps meant to lighten action on stiff notes; case possibly mahogany, heavily varnished, center front of half-round, gold-painted dummy pipes with fabric (possibly silk)behind, also the same fabric in side panels; supported by heavy curved legs, front two having carved leaf motif on front; machine-carved scallop motifs flank keyboard. (Laurence Libin 1997)
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  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。