《古尔德》小提琴 - 美国大都会艺术博物馆展品查阅

品名（中）	《古尔德》小提琴
品名（英）	"The Gould" Violin
入馆年号	1955年，55.86a–c
策展部门	乐器（Musical Instruments）
创作者	Antonio Stradivari【1644 至 1737】【意大利人】
创作年份	公元 1693
创作地区	意大利, 克雷莫纳（Italy, Cremona）
分类	合唱歌手卢特鞠躬未解冻（Chordophone-Lute-bowed-unfretted）
尺寸	高: 23 1/4 英寸 (59 厘米) 宽: 7 3/4 英寸 (19.7 厘米)
介绍（中）	"The Gould"小提琴有一个两件式枫木背，火焰紧密，两件式云杉顶部带有橙棕色清漆。尽管现代表演者继续使用十七和十八世纪伟大制造商的弦乐器，但随着表演空间越来越大，曲目推动乐器在更大范围内产生更响亮的声音，几乎所有乐器都进行了修改，以保持有用。 1975年，大都会博物馆让阿姆斯特丹的制琴师弗雷德里克·J·林德曼（Frederick J. Lindeman）修改了"古尔德"（The Gould），使其采用巴洛克式结构。他的改动基于十七世纪后期已知的历史设置，特别是他在佛罗伦萨学院的 1690 年"托斯卡纳-美第奇"斯特拉德幸存下来的原始例子后，对指板和尾件进行了图案化。林德曼还设计了一个较短的琴颈和低音杆，并为乐器安装了新的音柱、琴桥和钉子，并将其串在肠子上。"古尔德"是这位著名大师唯一一把回归巴洛克风格的小提琴，经常用于表演时期曲目。
介绍（英）	"The Gould" violin has a two-piece maple back with a tight flame and a two-piece spruce top with an orange-brown varnish. Although modern performers continue to use seventeenth- and eighteenth-century stringed instruments by great makers, nearly all of the instruments have been modified in order to remain useful as performance spaces grew larger and repertoire pushed instruments to create louder sound over an extended range. In 1975, The Metropolitan Museum had the luthier Frederick J. Lindeman of Amsterdam modify "The Gould" so that it would be in a Baroque configuration. He based his alterations on what was known of historical setups from the late seventeenth century, specifically he patterned the fingerboard and tailpiece after surviving original examples on the 1690 "Tuscan-Medici" Strad housed at the Accademia in Florence. Lindeman also fashioned a shorter neck and bassbar and fitted the instrument with a new soundpost, bridge, and pegs, as well as stringing it in gut. "The Gould" is the only violin by the famed master that has been returned to a Baroque setup and that is regularly used for performance of period repertoire.