吉他 - 美国大都会艺术博物馆展品查阅

品名（中）	吉他
品名（英）	Guitar
入馆年号	1984年，1984.225
策展部门	乐器（Musical Instruments）
创作者	Giacomo (Jacob) Ertel【1646 至 1711】【德国人】
创作年份	公元 1667 - 公元 1700
创作地区	意大利, 罗马（Italy, Rome）
分类	长笛拨弦琴（Chordophone-Lute-plucked-fretted）
尺寸	高: 35 11/16 英寸 (90.7 厘米) 宽 (at greatest point): 9 1/2 英寸 (24.1 厘米) Depth (rib height at bottom): 3 11/16 英寸 (9.4 厘米)
介绍（中）	这种高度华丽的乐器是居住在罗马的德国工匠的产品。该乐器相当奢华，背面和侧面有一个由骨头、乌木和桃花心木组成的复杂马赛克，而指板则用珍珠母和乌木装饰。这种以昂贵材料为特色的精心设计执行得很漂亮，这表明埃尔特尔的作坊可能在18世纪的前几十年很有名，也很受尊敬。这把吉他的归属是基于奥地利因斯布鲁克Ferdinandeum博物馆的一件类似乐器。（Daniel Wheeldon，2016）技术说明：十把弦吉他（五门双课程）；两块松木音板，带有人造象牙镶边（原为骨头）和珍珠母钻石的镶边（内部镶边）；音孔直径为78.78 mm，胶合（从内到外）黑檀木/w/b/w/珍珠母钻，胶合/w/w/珍珠母钻；音板上靠近镶嵌琴的镶嵌珍珠母装饰和桥下更大的装饰；胡子乌木领带桥（已更换），象牙顶部镶嵌珍珠母钻石；背面镶嵌有骨镶嵌、乌木镶嵌和桃花心木镶嵌；马赛克设计继续在肋骨，脖子的背面，和墓碑的背面；乌木指板，中心镶嵌有珍珠母的椭圆形大片，与音板相匹配的捆绑/purfling图案，脖子上绑着十个肠琴，音板上镶嵌着两个乌木琴（非原装）；两件式层压墓石箱延续了珍珠母的装饰镶嵌装饰和指板、十个摩擦钉的捆绑/purfling设计。（Daniel Wheeldon，2016）
介绍（英）	This highly ornate instrument is the product of German craftsmen resident in Rome. The instrument is quite extravagant, having a complex mosaic of bone, ebony and mahogany on the back and sides, whilst the fingerboard is decorated with mother-of-pearl and ebony. This elaborate design featuring costly materials is beautifully executed, indicating that the workshop of Ertel was probably well known and highly esteemed in the first decades of the eighteenth century. The attribution of this guitar is based on a similar instrument at the Ferdinandeum Museum in Innsbruck, Austria. (Daniel Wheeldon, 2016) Technical description: Ten-string guitar (five double courses); Two-piece pine soundboard with artificial ivory binding (originally bone) and purfling (inside binding) of b/w/mother-of-pearl diamonds in mastic/w/b; soundhole diameter of 78.78 mm with binding (from inside out) of ebony/w/b/w/mother-of-pearl diamonds in mastic/w/b/w/mother-of-pearl diamonds in mastic/w/b; inlaid mother-of-pearl decoration on the soundboard near the inlaid frets and a larger decoration below the bridge; mustachioed ebony tie bridge (replaced) with ivory top inlaid with mother-of-pearl diamonds in mastic; Back with mosaic of bone, ebony, and mahogany inlaid in wood; mosaic design continues on ribs, back of neck, and back of headstock; ebony fingerboard with large oval pieces of mother-of-pearl inlaid in the center and the binding/purfling pattern matching the soundboard, with ten gut frets tied to the neck and two inlaid ebony frets (not original) on the soundboard; two-piece laminated headstock continuing the decorative mother-of-pearl inlay decoration and binding/purfling design from the fingerboard, ten friction pegs. (Daniel Wheeldon, 2016)