吉他 - 美国大都会艺术博物馆展品查阅

品名（中）	吉他
品名（英）	Guitar
入馆年号	1990年，1990.221
策展部门	乐器（Musical Instruments）
创作者	Benito Sanchez de Aguilera【1790 至 1800】【西班牙人】
创作年份	公元 1797
创作地区	西班牙, 马德里（Spain, Madrid）
分类	长笛拨弦琴（Chordophone-Lute-plucked-fretted）
尺寸	Total length: 914 毫米
介绍（中）	此乐器由贝尼托·桑切斯于1797年在马德里制造。到了18世纪末，大多数西班牙吉他的琴颈都比音阶长度长，在这种情况下，吉他的琴身更短，因此突出了侧面的曲线。这些突出的曲线将成为19世纪初马德里吉他制作中越来越受欢迎的特征。尽管琴头和琴桥是替代品，但没有理由认为这是一把六段吉他。（Daniel Wheeldon，2016）技术描述：十二弦（六个双程）吉他；两件式松木顶部，带红木镶边和松木/红木/p/r镶边，音孔直径83.55 mm，带红木/松木/r/p/r/p/r/p/r r/p/r镶边，红木mustacio系杆桥（可能不是原装的）；三件式柏木背，带红木垫片和捆绑；两件式柏木肋条，带红木垫片；桃花心木（西班牙雪松）颈（可能不是原装的）；红木指板，十四品，其中十品系颈，四品镶嵌红木（缺一件）；两件式主轴箱（非原装），十二个摩擦销钉。（Daniel Wheeldon，2016）
介绍（英）	This instrument was made by Benito Sanchez in Madrid in 1797. Towards the end of the 18th century most Spanish guitars had longer necks relative to the scale-length, in this case the guitar has a shorter body, accentuating the curves of the sides as a consequence. These accentuated curves would become an increasingly popular feature in early 19th-century guitar making in Madrid. Although the head and bridge are replacements, there is no reason to suppose that this was ever anything other than a six-course guitar. (Daniel Wheeldon, 2016) Technical description: Twelve string (six double course) guitar; two-piece pine top with rosewood binding and purfling of pine/rosewood/p/r, sound hole diameter of 83.55 mm with a binding of rosewood/pine/r/p/R/p/R/p/r/p/r r/p/r, rosewood mustachio tie bridge (probably not original); three-piece cypress back with rosewood spacers and binding; two-piece cypress ribs with rosewood spacer; mahogany (Spanish cedar) neck (likely not original); rosewood fingerboard, fourteen frets including ten gut frets tied to the neck and four inlaid rosewood frets (one missing); two-piece headstock (not original), twelve friction pegs. (Daniel Wheeldon, 2016)