波切特 - 美国大都会艺术博物馆展品查阅

品名（中）	波切特
品名（英）	Pochette
入馆年号	1991年，1991.248
策展部门	乐器（Musical Instruments）
创作者	Matthias Wörle【德国人】
创作年份	公元 1600 - 公元 1700
创作地区	德国, 奥格斯堡（Germany, Augsburg）
分类	合唱歌手卢特鞠躬未解冻（Chordophone-Lute-bowed-unfretted）
尺寸	长 42.5 厘米 (16-3/4 英寸); Body 长 23 厘米 (9-1/16 英寸)
介绍（中）	跳舞是贵族所期望的成就。一位来访的舞蹈大师在家里授课，他演奏了一把小小提琴，为课程提供音乐。这些乐器小巧细长，便于运输，因此得名pochette，这意味着它们是放在外套口袋里的。由珍贵材料制成的精心装饰的pochette经常被视为艺术品并自行收藏描述：船形身体，背部有五条带轻微缺口的玳瑁条纹，在红色染色的木材上，由小象牙条纹隔开；云杉腹部开裂，下部粘在一起，有两个C形孔，镶嵌着玳瑁的心和花；染色的硬木和枫木；脖子上覆盖着玳瑁；用玳瑁覆盖的蛇木指板（有些缺失）；染色梨尾；pegbox终止于雕刻的狮子头；三个原栓，一个替换；带有珍珠母眼的象牙终板；替换桥；音柱放置在长方形硬木加固件上。
介绍（英）	Dancing was an expected aristocratic accomplishment. Instruction was given at home by a visiting dance master, who played a small fiddle to provide music for the lessons. The compact, slender shape of these instruments made them easy to transport and gave them the name pochette, which suggests that they were carried in one's coat pocket. Elaborately decorated pochettes made of precious materials were often seen and collected as art objects in their own right. Description: Boat-shaped body, back of five stripes of slightly chipped tortoiseshell on red-stained wood, separated by small ivory stripes; spruce belly cracked and glued at lower part, with two C-holes, inlaid tortoiseshell heart and flower; stained hardwood and maple purfling; neck covered with tortoiseshell; snakewood fingerboard covered with tortoiseshell (some missing); stained pear tailpiece; pegbox terminates in carved lion head; three pegs original, one replacement; ivory endpin with mother-of-pearl eye; replacement bridge; soundpost rests on an oblong hardwood reinforcement.