吉他 - 美国大都会艺术博物馆展品查阅

品名（中）	吉他
品名（英）	Guitar
入馆年号	1992年，1992.279
策展部门	乐器（Musical Instruments）
创作者	Joseph de Frías【西班牙人】
创作年份	公元 1760 - 公元 1800
创作地区	西班牙, 塞维利亚（Spain, Seville）
分类	长笛拨弦琴（Chordophone-Lute-plucked-fretted）
尺寸	Total length: 948 毫米
介绍（中）	这种近乎原始的乐器是18世纪末西班牙吉他制作的一个很好的例子。不同寻常的是，这个音板由五块组成，类似于位于阿利坎特音乐节博物馆的Frías的吉他。音孔周围、指板底部以及琴桥和吉他末端之间都装饰着镶嵌的红木、珍珠母和乌木花卉。这种乐器的一个重要特点是音板下侧没有支撑。这一时期的大多数六弦（十二弦）吉他都是扇形支撑的，而这里的音板是用以X图案粘附在音板内侧的编织布加固的。（Daniel Wheeldon 2016）技术说明：十二弦（六个双程）吉他；五件式松木顶部，带乌木硬木镶边和乌木硬木/松木/b/p/b/镶嵌方形花纹镶边；音孔直径83.13，周围有高度华丽的珍珠母、红木和黑色胶泥装饰；乌木硬木mustaciod领带桥与红木单板和骨头；装饰华丽的珍珠母、红木，以及琴桥和乐器底端之间的黑色胶泥装饰；两件式红木背面，采用乌木硬木包边和b/r/r/b镶边；红木肋；桃花心木颈；桃花心木和红木头，配黑木硬木镶边；红木双人字形贴面到指板上的第七个音柱，然后用松木与之搭配作为音板；十四件银琴（十件在琴颈上，四件在音板上）；红木摩擦调谐器，珍珠母，象牙和乌木镶嵌（Daniel Wheeldon 2016）
介绍（英）	This nearly pristine instrument is a fine example of Spanish guitar making in the late eighteenth century. Rather unusually, the soundboard is of five pieces, similar to a guitar by Frías located in the Museo de la Festa in Alicante. It is decorated with inlaid rosewood, mother-of-pearl, and ebony floral features around the soundhole, at the base of the fingerboard, and between the bridge and the end of the guitar. An important feature of this instrument is the absence of bracing on the underside of the soundboard. Most six-course (twelve-string) guitars of this period were fan braced, whereas here the soundboard has been reinforced with woven cloth adhered in an X pattern to the inside of the soundboard. (Daniel Wheeldon 2016) Technical description: Twelve-string (six-double course) guitar; five-piece pine top with ebonized hardwood binding and ebonized hardwood/pine/b/p/b/inlaid square pattern purfling; soundhole diameter of 83.13 surrounded by a highly ornate mother-of-pearl, rosewood, and black mastic decoration; ebonized hardwood mustacioed tie bridge with rosewood veneer and bone; ornate mother-of-pearl, rosewood, and black mastic decoration between the bridge and bottom end of the instrument; two-piece rosewood back with ebonized hardwood binding and b/r/b/r/b purfling; rosewood ribs; mahogany neck; mahogany and rosewood head with ebonized hardwood binding; rosewood double chevron veneer to seventh fret on the fingerboard, thereafter pine with matching binding as soundboard; fourteen silver frets (ten on neck, four on soundboard); rosewood friction tuners with mother-of-pearl, ivory, and ebony inlay (Daniel Wheeldon 2016)