一对横向槽 - 美国大都会艺术博物馆展品查阅

品名（中）	一对横向槽
品名（英）	Pair of Transverse Flutes
入馆年号	1996年，1996.13.1
策展部门	乐器（Musical Instruments）
创作者	Johann Wilhelm Oberlender (the Elder)【1681 至 1763】【德国人】
创作年份	公元 1833 - 公元 1867
创作地区	德国, 纽伦堡（Germany, Nürnberg）
分类	Aerophone吹孔侧吹长笛（横向）（Aerophone-Blow Hole-side-blown flute (transverse)）
尺寸	Total 高 (with longest corps de rechange): 24 1/2 英寸 (62.2 厘米)
介绍（中）	虽然管乐器通常不受绅士、业余爱好者和贵族的青睐，但录音机和长笛是明显的例外。长笛和人声和竖琴（音乐室或沙龙的流行乐器）搭配得很好。长笛更大的音量和产生更戏剧性动态对比的能力，使其在18世纪前几十年的私人和公共音乐制作中占据了录音机的主导地位专业音乐家通常使用木制长笛。这对乐器使用象牙和装饰华丽的皮套，将乐器并排展示，而不是像典型的那样有效地存放在堆叠的托盘中，这表明它是一位贵族主人。像这样的高质量长笛有时是为绅士和他的音乐大师制作的在制作它们的那段时间里，沥青还没有标准化。这对长笛中的每一支都配备了三个中间关节，使其能够在不同的音高范围内演奏。
介绍（英）	While wind instruments were generally not favored by gentlemen amateurs and aristocrats, recorders and flutes were notable exceptions. Flutes paired well with the voice and harp, popular instruments of the music room or salon. The flute’s louder volume and ability to produce more dramatic dynamic contrasts led to its dominance over the recorder in both private and public music making in the first decades of the eighteenth century. Professional musicians generally used flutes made from wood. This pair’s use of ivory and the ornate leather-covered case, which ostentatiously displays the instruments side by side instead of efficiently storing them in stacking trays, as is typical, suggest an aristocratic owner. Pairs of high-quality flutes such as these were sometimes produced for use by a gentleman and his music master. During the period when they were made, pitch had not been standardized. Each flute in this pair was supplied with three corps de rechange, or alternate middle joints, enabling it to play in tune at a range of different pitch levels.