管弦乐队颜色 - 美国大都会艺术博物馆展品查阅

品名（中）	管弦乐队颜色
品名（英）	Cor d'orchestre
入馆年号	1977年，1977.315a–n
策展部门	乐器（Musical Instruments）
创作者	Pierre Piatet【1796 至 1868】【法国人】
创作年份	公元 1845 - 公元 1850
创作地区	法国, 里昂（France, Lyon）
分类	Aerophone嘴唇振动（Aerophone-Lip Vibrated）
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介绍（中）	这种类型的天然号角用于古典和早期浪漫主义管弦乐队。它通常被称为"手号"，因为通过将手放在喇叭的铃铛中并不同程度地关闭它，演奏者可以改变和声系列的音符以产生半音阶。10个可拆卸的弯钩（从B-flat低音到B-flat中音）通常配有cors d'orchestre，使号角能够覆盖管弦乐曲目中遇到的各种键。通过使用骗子改变发声长度使每个键都有自己的音调特征。较长的骗子产生更暗、"更闷"的音调，而短弯钩听起来明亮且像喇叭。当在其音域中间与弯钩一起演奏时，喇叭的响应最佳，因此 E 平调、E 和 F 成为号角组合中最常用的键。这些微妙的音色差异在现代号角上消失了，它已经省去了骗子。布拉德利·斯特劳亨-谢勒
介绍（英）	This type of natural horn was used in Classical and early Romantic orchestras. It is often referred to as the "hand horn" because by placing their hand in the horn’s bell and closing it off to varying degrees, players could alter the notes of the harmonic series to produce a chromatic scale. The 10 detachable crooks (from B-flat basso to B-flat alto) typically supplied with cors d'orchestre allowed the horn to cover the wide range of keys encountered in orchestral repertoire. Changing the sounding length through the use of crooks gave each key its own tonal characteristics. The longer crooks produce a darker, "stuffier" tone, while short crooks sounded bright and trumpet-like. The horn responds best when played with crooks in the middle of its range, thus E-flat, E and F became the most frequently used keys for horn compositions. These subtle timbral differences are lost on the modern horn, which has dispensed with crooks. Bradley Strauchen-Scherer