立式钢琴 - 美国大都会艺术博物馆展品查阅

品名（中）	立式钢琴
品名（英）	Upright Piano
入馆年号	1977年，1977.218
策展部门	乐器（Musical Instruments）
创作者	Friedrich Bernhard Voigt【1779 至 1861】【德国人】
创作年份	公元 1832
创作地区	德国（Germany）
分类	齐瑟敲击钢琴（Chordophone-Zither-struck-piano）
尺寸	高: 216 厘米 (85-1/4 英寸); 宽: 125.2 厘米 (49-3/8 英寸); 深 63.6 厘米 (25-1/8 英寸) Case w/o pedal mechanistm 37 厘米
介绍（中）	弗里德里希·伯恩哈德·沃伊特（Friedrich Bernhard Voigt）于1813年在柏林建立了自己的钢琴制作工作室，并于1825年被指定为宫廷乐器制造商。他的儿子卡尔·路德维希·弗里德里希后来加入了工作室。随着1874年年轻的福伊特去世，它不复存在。技术描述：垂直桃花心木贴面表壳向左侧向上弯曲，终止于方形山墙，周围环绕着雕刻的镀金造型，曲线右下侧有一个较小的类似山墙，以前超越山墙的装饰品现在不存在; 前垂直面板和键盘下方的 2 扇门，用绿布支撑，带有黄铜珠边和铸造黄铜装饰品; 3件式铰链键盘盖（固定音乐架）装饰有黄铜美人鱼，鸢尾花和其他花卉设计（中央装饰品损坏）;前部有2个凹槽柱腿，两端有垂直黄铜珠和黄铜项圈;铭牌顶部边缘镶嵌着乌木象牙镶嵌物，并持有黄铜框架的椭圆形白色玻璃铭牌;指南针EE-f4（74键），象牙色天然（前部缺失），乌木滑过染色的意外块;4个黄铜覆盖踏板;中心对耦合和操作静音停止，UNA Corda的左换档动作，右升阻尼器;德国"悬挂"动作，带擒纵机构，锤子安装在带弹簧复位的黄铜卡普塞尔中;染色音板;桥完全后固定;方形调音针（可能是替代品），印在针块上的音符名称，在桥上墨迹的弦规;高达 D2 的琴弦由毛毡和皮革填充的 L 型臂阻尼，用螺钉安装以板条固定并通过钢丝弹簧返回;最初可能还有 16 个阻尼器;前 45 个音符三弦，其余双串，最低 6 个音符缠绕;阻尼器导轨和垫可能更换。
介绍（英）	Friedrich Bernhard Voigt established his piano making workshop in 1813 in Berlin and became designated as a court instrument maker in 1825. His son Carl Ludwig Friedrich later joined the workshop. It ceased to exist with the death of the younger Voigt in 1874. Technical description: Vertical mahogany veneer case curving upward toward left side, terminating in a square pediment surrounded with carved gilt molding, a smaller similar pediment at lower right side of curve, the ornaments formerly surmounting the pediments now absent; front vertical panels and 2 doors below keyboard backed with green cloth, with brass bead edging and cast brass ornaments; 3-piece hinged keyboard cover (holding music rack) decorated with brass mermaids, fleur-de-lis and other floral designs (central ornament broken); 2 fluted column legs at front, with vertical brass beading and brass collars at both ends; nameboard edged at top with ebony-ivory inlay and holding oval white glass nameplate framed in brass; compass EE-f4 (74 keys), ivory naturals (fronts missing), ebony slips over stained accidental blocks; 4 brass covered pedals; center pair coupled and operating mute stop, left shifting action for una corda, right raising dampers; German "hanging" action with escapement, hammers mounted in brass kapsels with spring return; stained soundboard; bridge entirely backpinned; square tuning pins (possibly replacements), note names stamped on pinblock, string gauges inked on bridge; strings up to d2 damped by felt and leather-padded L-arms mounted with screws to batten and returned by wire springs; probably 16 more dampers originally; top 45 notes triple-strung, remainder double-strung, lowest 6 notes wound; damper rail and pads possibly replacements.