《源氏物语》中的八种观点 - 美国大都会艺术博物馆展品查阅

品名（中）	《源氏物语》中的八种观点
品名（英）	Eight Views from The Tale of Genji
入馆年号	2015年，2015.300.44
策展部门	亚洲艺术（Asian Art）
创作者	Ishiyama Moroka【1669 至 1734】【日本人】
创作年份	公元 1600 - 公元 1800
创作地区
分类	绘画（Paintings）
尺寸	图像: 13 英寸 × 25 ft. (33 × 762 厘米) 整体 with mounting: 14 英寸 (35.6 厘米)
介绍（中）	这本手卷描绘了文学经典《源氏物语》八章的情节，尽管不是按时间顺序排列的。每幅作品都结合了源自古老的中国绘画主题"潇湘江八景"的场景主题。十三世纪传入日本的"八景"意象被日本水墨山水画传统所吸收。在江户时代，一些艺术家将主题的各个方面融入了源氏插图中。莫罗卡既是朝臣，也是画家和诗人;他的艺术训练来自卡诺画派的京都分部。在这部早期作品中，他将叙事元素限制在每个场景的最右侧，为雾气和简短的风景元素留出更大的空间，这些元素设置在其他空的丝绸中。他的手卷可能是现存最早的源氏"八景"绘画作品。
介绍（英）	Episodes from eight chapters of the classic of literature, The Tale of Genji, are depicted, although not in chronological order, in this handscroll. Each composition is combined with motifs from a scene derived from the venerable Chinese painting theme known as “Eight Views of the Xiao and Xiang Rivers.” “Eight Views” imagery, introduced to Japan during the thirteenth century, was assimilated into the Japanese ink landscape painting tradition. During the Edo period, some artists incorporated aspects of the theme into Genji illustrations. Moroka was a courtier as well as a painter and poet; his artistic training came from the Kyoto branch of the Kano school. In this early work, he restricted narrative elements to the far right side of each scene, allowing greater space for mist and abbreviated landscape elements set in otherwise empty silk. His handscroll may be the earliest extant example of Genji “Eight Views” painting.