“Kogō”和“前往Ō原的帝国游行”，摘自《黑克物语》 - 美国大都会艺术博物馆展品查阅

品名（中）	“Kogō”和“前往Ō原的帝国游行”，摘自《黑克物语》
品名（英）	"Kogō" and "The Imperial Procession to Ōhara", from The Tale of the Heike (Heike monogatari)
入馆年号	2015年，2015.300.102.1, .2
策展部门	亚洲艺术（Asian Art）
创作者
创作年份	公元 1600 - 公元 1635
创作地区
分类	绘画（Paintings）
尺寸	图像 (each): 60 7/8 英寸 × 11 ft. 9 7/8 英寸 (154.7 × 360.4 厘米)
介绍（中）	这些屏幕描绘了《黑克物语》中的两个标志性场景，这是一部14世纪的故事，讲述了12世纪末敌对的泰拉和南本部族之间的冲突。右边的屏幕代表了故事的"Kogō"一章，该章以著名的美女和有成就的koto演奏家Kogß女士为中心，她发现自己陷入了一场涉及高仓皇和泰拉族首领的三角恋后被放逐。在这里，穿着红色长袍的南本野中国（Minamoto no Nakakuni）在月夜应天皇的要求寻找高贵妃。随着她的古筝koto（一种古筝）的声音，他把她带到一个住处 在京都西部的佐贺平原，最右边的照片。左边的画面描绘了白川天皇前往京都北部山丘上的Ō原，前往拜访前皇后坚仁的精心队伍。Kenreimon’in现在住在一个修道院里，如左图第三幅所示，穿着白色长袍坐在阳台上。
介绍（英）	These screens depict two iconic scenes from The Tale of the Heike, a fourteenth-century account of late twelfth-century clashes between the rival Taira and Minamoto clans. The right screen represents the story’s “Kogō” chapter, which centers on Lady Kogō, a renowned beauty and accomplished koto player who finds herself banished after being caught in a love triangle involving Emperor Takakura and the leader of the Taira clan. Here, Minamoto no Nakakuni—the repeated figure wearing a red robe—searches for Lady Kogō on a moonlit night at the behest of the emperor. Following the sound of her koto, a type of zither, he tracks her to a dwelling in the Saga Plain of western Kyoto, pictured at far right. The left screen depicts the elaborate procession of Emperor Go-Shirakawa to Ōhara, in the hills north of Kyoto, in order to visit the former empress Kenreimon’in. Now living in a convent, Kenreimon’in is shown in the third panel from the left, seated on a veranda wearing a white robe.