诗人Koōgimi，出自《三十六位诗仙》（Fujifusa bon Sanjūrokkasen emaki） - 美国大都会艺术博物馆展品查阅

品名（中）	诗人Koōgimi，出自《三十六位诗仙》（Fujifusa bon Sanjūrokkasen emaki）
品名（英）	The Poet Koōgimi, from the “Fujifusa Version” of Thirty-six Poetic Immortals (Fujifusa-bon Sanjūrokkasen emaki)l
入馆年号	2015年，2015.300.22
策展部门	亚洲艺术（Asian Art）
创作者
创作年份	公元 1400 - 公元 1499
创作地区
分类	绘画（Paintings）
尺寸	高 11 3/8 英寸 (28.9 厘米); 宽 16 1/4 英寸 (41.3 厘米) 整体: 高 45 13/16 英寸 (116.4 厘米); 宽 22 9/16 英寸 (57.3 厘米)
介绍（中）	我们看不到这位诗人的脸，她跪着的身影几乎被她宽大、层叠的宫廷服装所掩盖，她的黑色头发优雅地垂下，形成了一个蜿蜒的图案。这幅肖像上的铭文和诗歌表明，这位坐着的人是Koōgimi，她是11世纪初连续两位皇帝的侍女。《三十六诗仙》"藤原本"的诗人选集据信是由家臣藤原野藤夫（1295年生）编辑的。包括这个珍贵的例子在内，只有11块手卷碎片幸存下来。Koōgimi的诗句暗示了神道教神Hitokotonushi no Kami在奈良的胜城山和通往南部的金浦森之间建造石桥（岩桥）的失败尝试。因此，"石桥"这个短语就意味着一段中断的恋情岩桥野有若野千里摩大女别世阿久若若比希桂木野卡米昨晚的爱的誓言，就像一座石桥，无法延伸<黎明时分，桂城的神出现了，多么悲伤啊 --trans。作者：John T.Carpenter
介绍（英）	We do not see the face of the poet, whose kneeling figure is all but obscured by her voluminous, layered court garb, against which the graceful fall of her black hair creates a sinuous pattern. The inscription and poems on this portrait identify the sitter as Koōgimi, lady-in-waiting to two successive emperors of the early eleventh century. The selection of poets for the “Fujifusa Version” of the Thirty-six Poetic Immortals is believed to have been edited by the courtier Fujiwara no Fujifusa (born 1295). Only eleven fragments from the handscroll, including this precious example, are known to survive. Koōgimi’s verse alludes to a failed attempt by the Shinto deity Hitokotonushi no Kami to erect a stone bridge (iwabashi) between Mount Katsuragi in Nara and Kinpusen to thesouth. The phrase “stone bridge” has thus come to suggest an interrupted love affair. Iwabashi no yoru no chigiri mo taenu beshi akuru wabishiki Katsuragi no kami Last night’s vows of love, like a stone bridge, cannot be extended! At dawn, how sad the god of Katsuragi appears. —trans. by John T. Carpenter