潇湘八景之二 - 美国大都会艺术博物馆展品查阅

品名（中）	潇湘八景之二
品名（英）	Two Views from the Eight Views of the Xiao and Xiang Rivers
入馆年号	2015年，2015.300.52a, b
策展部门	亚洲艺术（Asian Art）
创作者	Kantei【1400 至 1499】【日本人】
创作年份	公元 1500 - 公元 1533
创作地区
分类	绘画（Paintings）
尺寸	图像 (a): 18 1/16 × 11 3/4 英寸 (45.8 × 29.9 厘米) 整体 with mounting (a): 51 15/16 × 16 3/8 英寸 (132 × 41.6 厘米) 整体 with knobs (a): 51 15/16 × 18 1/8 英寸 (132 × 46 厘米) 图像 (b): 18 1/8 × 11 3/4 英寸 (46 × 29.9 厘米) 整体 with mounting (b): 52 1/16 × 16 5/16 英寸 (132.2 × 41.5 厘米) 整体 with knobs (b): 52 1/16 × 18 1/8 英寸 (132.2 × 46 厘米)
介绍（中）	萧湘八景是中国传统诗歌和山水画中最受欢迎的主题之一。它突出了中国南方的一个地区，那里是丰富的文学传统的来源，也是古代神话和流行传说的发源地。宋迪（活跃于11世纪）在1074年被逐出宫廷后撤退到该地区，据说他是第一个将该遗址绘制成八幅图像的人。从室町时代开始，这些成文的场景在日本流行起来关于这两幅画的艺术家关帝，人们知之甚少，只知道他可能是奈良佛教礼教的一名僧侣。很明显，这两幅作品都以其强烈的水平和垂直线条受到了著名水墨画家Sessh́Tōyō;（1420–1506）作品的影响。
介绍（英）	One of the most popular subjects in traditional Chinese poetry and landscape painting is the Eight Views of the Xiao and Xiang Rivers. It highlights a region in southern China that was the source of a rich literary tradition and the locus of ancient myths and popular lore. Song Di (active 11th century), who retreated to the area after his dismissal from court in 1074, is reputed to have been the first to paint the site in a group of eight images. These codified scenes became popular in Japan, beginning in the Muromachi period. Little is known about Kantei, the artist of these two paintings, save that he may have been a monk of the Ritsu sect of Buddhism, in Nara. It is apparent that both compositions, with their strong horizontal and vertical lines, were influenced by works of the master ink painter Sesshū Tōyō (1420–1506).