钟子琪听伯牙弹琴 - 美国大都会艺术博物馆展品查阅

品名（中）	钟子琪听伯牙弹琴
品名（英）	Bo Ya Plays the Qin as Zhong Ziqi Listens
入馆年号	2015年，2015.300.67
策展部门	亚洲艺术（Asian Art）
创作者	Kano Motonobu【1477 至 1559】【日本人】
创作年份	公元 1530 - 公元 1539
创作地区
分类	绘画（Paintings）
尺寸	图像: 65 1/16 × 34 1/4 英寸 (165.2 × 87 厘米) 整体 with mounting: 8 ft. 10 7/8 英寸 × 40 13/16 英寸 (271.5 × 103.7 厘米) 整体 with knobs: 8 ft. 10 7/8 英寸 × 43 3/16 英寸 (271.5 × 109.7 厘米)
介绍（中）	《列子》是一部四世纪的道教典籍，记录了薄雅和钟子祁的故事，两位学者以彼此的虔诚而闻名。博雅是一位有成就的琴演奏家，一种古筝，他经常为他的朋友钟演奏，钟本人也是一位真正欣赏朋友音乐的音乐家。然而，当钟去世时，失去亲人的薄雅故意摔坏了他的乐器，再也没有演奏过。这幅画可能曾经是一组滑动门板（fusuma）的一部分，描绘了薄雅和钟子矒在悬崖下躲避暴风雨，薄雅在那里弹奏琴来打发时间。这件作品没有印章或签名，但体现了早期卡诺学校的正式景观风格，传统上被认为是学校创始人元信的。然而，与元信公认的风格的差异表明，这位艺术家活跃在元信的圈子里，可能是在 1530 年代。
介绍（英）	The Liezi, a fourth-century Daoist text, records the story of Bo Ya and Zhong Ziqi, scholars renowned for their devotion to each other. Bo Ya, an accomplished player of the qin, a type of zither, would frequently play for his friend Zhong, himself a musician who truly appreciated his friend’s music. When Zhong died, however, the bereaved Bo Ya deliberately broke his instrument, never to play again. Likely once part of a set of sliding-door panels (fusuma), this painting depicts Bo Ya and Zhong Ziqi taking shelter from a storm beneath a cliff, where Bo Ya plays his qin to pass the time. The work bears no seal or signature but exemplifies the formal landscape style of the early Kano school and was traditionally attributed to the school’s founder, Motonobu. Discrepancies with Motonobu’s accepted style, however, suggest that the artist was active in Motonobu’s circle, probably during the 1530s.