夏季和秋季的甜食 - 美国大都会艺术博物馆展品查阅

品名（中）	夏季和秋季的甜食
品名（英）	Sweetfish in Summer and Autumn
入馆年号	2015年，2015.300.198a, b
策展部门	亚洲艺术（Asian Art）
创作者	Maruyama Ōkyo 円山応挙【1733 至 1795】【日本人】
创作年份	公元 1600 - 公元 1850
创作地区
分类	绘画（Paintings）
尺寸	图像 (a): 40 15/16 × 14 9/16 英寸 (104 × 37 厘米) 整体 with mounting (a): 75 3/8 × 20 1/4 英寸 (191.5 × 51.5 厘米) 整体 with knobs (a): 75 3/8 × 22 5/8 英寸 (191.5 × 57.4 厘米) 图像 (b): 40 15/16 × 14 1/2 英寸 (104 × 36.8 厘米) 整体 with mounting (b): 75 3/16 × 20 1/4 英寸 (191 × 51.5 厘米) 整体 with knobs (b): 75 3/16 × 22 9/16 英寸 (191 × 57.3 厘米)
介绍（中）	八条年轻的香鱼（ayu）游向上游，经过这幅双联画右手卷轴中长满苔藓的岩石和粉红色的春天杜鹃花。春天和夏天在左手卷轴中来来去去，由枫树的深红色叶子表示。在这里，另外三条完全长大的香鱼回到下游，重新开始循环。大京十几岁时就从邻近的播磨搬到京都，成为首都最受欢迎的画家之一。大京学习了中国和日本的传统绘画以及西方现实主义的线性视角，据说在他的京都工作室培养了多达一千名学生。在左手卷轴的左下角，大京在1785年为他的画作签名并注明日期，这是他多产职业生涯的顶峰。
介绍（英）	Eight young sweetfish (ayu) swim upstream past a mossy rock and pink spring azaleas in the right- hand scroll of this diptych. Spring and summer have come and gone in the left-hand scroll, indicated by the crimson leaves of a maple tree. Here, three more sweetfish, fully grown, head back downstream toward the coast to begin the cycle anew. Ōkyo moved to Kyoto from neighboring Harima while still in his teens and became one of the capital’s most popular painters. Having studied traditional Chinese and Japanese painting as well as the linear perspective of Western realism, Ōkyo is said to have trained as many as one thousand students in his Kyoto studio. In the lower left of the left-hand scroll, Ōkyo signed and dated his painting 1785— the pinnacle of his prolific career.