樵夫和渔民 - 美国大都会艺术博物馆展品查阅

品名（中）	樵夫和渔民
品名（英）	Woodcutters and Fishermen
入馆年号	2015年，2015.300.206.1, .2
策展部门	亚洲艺术（Asian Art）
创作者	Matsumura Goshun【1752 至 1811】【日本人】
创作年份	公元 1600 - 公元 1800
创作地区
分类	绘画（Paintings）
尺寸	图像 (each): 65 15/16 英寸 × 12 ft. 2 7/16 英寸 (167.5 × 372 厘米) 整体 with mounting: 67 1/2 英寸 × 12 ft. 4 英寸 (171.5 × 376 厘米)
介绍（中）	京都市中心的志ō街也是这位艺术家的住所，Goshun在这里开设了后来被称为志艴学校的工作室。Goshun出生于政府铸币局的一个官员家庭，曾就读于Nanga或文人学校，艺术家Yosa Buson（1716-1783）。在池田当了几年佛教僧侣后，他于1787年加入了京都的一个艺术家团体，与丸山京（1733-1795）合作，丸山京的流派将日本绘画的传统方法与西方现实主义和透视相结合在这幅作品中，中国渔民和伐木工人的脸饱经风霜，充满活力，他们在朦胧的春天风景中穿行，在这幅风景中，暗示着Ōkyo影响的线性视角与Goshun从釜山吸收的抒情相融合。这位艺术家选择了渔夫来象征这位隐居文人的纯洁生活，继承了中国文人画家的传统。
介绍（英）	Shijō Street in central Kyoto, where Goshun opened the studio that came to be known as the Shijō school, was also the site of the artist’s residence. Born to a family of officials at the government mint, Goshun studied with the Nanga, or literati school, artist Yosa Buson (1716–1783). Following several years as a Buddhist monk in Ikeda, he joined a group of artists in Kyoto in 1787 to work with Maruyama Ōkyo (1733–1795), whose school combined traditional methods of Japanese painting with aspects of Western realism and perspective. In this composition, Chinese fishermen and woodcutters, their faces weathered and animated, move through a hazy spring landscape in which a hint of linear perspective indicative of Ōkyo’s influence melds with the lyricism that Goshun absorbed from Buson. The artist chose fishermen to symbolize the purity of the life of the recluse-scholar, following in the tradition of Chinese literati painters.