雨天的竹子窗 - 美国大都会艺术博物馆展品查阅

品名（中）	雨天的竹子窗
品名（英）	Window onto Bamboo on a Rainy Day
入馆年号	2015年，2015.300.154
策展部门	亚洲艺术（Asian Art）
创作者	Gion Nankai【1677 至 1751】【日本人】
创作年份	公元 1700 - 公元 1749
创作地区
分类	绘画（Paintings）
尺寸	图像: 52 5/8 × 22 13/16 英寸 (133.7 × 58 厘米) 整体 with mounting: 84 1/16 × 29 7/16 英寸 (213.5 × 74.8 厘米) 整体 with knobs: 84 1/16 × 31 13/16 英寸 (213.5 × 80.8 厘米)
介绍（中）	竹子是南加艺术家的一个受欢迎的主题，他们大多生活在京都，经常有儒家研究和中国文人理论的背景。南开是和歌山县一位医生和家族官员的儿子。他在江户（今东京）学习文学和儒学，但属于第一代有影响力的南宫画家。他最早的绘画作品（1719年）是竹子，他对同一主题进行了大量研究在这幅描绘中，艺术家精确地以不同的色调刷过树叶和连接的茎，以唤起雨水浸泡的氛围，并在附近的岩石上点缀墨汁以获取苔藓。他的处理反映了木刻插图中国绘画手册中的笔法，如18世纪早期的《芥子园手册》，这些手册是日本艺术家新近获得的。在中国传统中，竹子的力量和灵活性被比作君子学者在逆境中弯曲而不折断的精神。
介绍（英）	Bamboo was a favored theme of Nanga artists, who were largely based in Kyoto and often had backgrounds in Confucian studies and Chinese literati theory. Nankai was the son of a physician and clan official in Wakayama Prefecture. He studied literature and Confucianism in Edo (present-day Tokyo), but belonged to the first generation of influential Nanga painters. His earliest dated painting (1719) was of bamboo, and he produced a number of studies on the same subject. In this depiction, the artist precisely brushed leaves and jointed stalks in varying tones to evoke a rain-soaked atmosphere and dotted ink on the nearby rock for moss. His handling reflects brushwork in woodcut-illustrated Chinese painting manuals, such as the early eighteenth-century Mustard-Seed Garden Manual, that were newly available to Japanese artists. In the Chinese tradition, the strength and flexibility of bamboo are likened to the spirit of the gentleman-scholar who bends but does not break under adversity.