在生锈的桥上，拿着琴瑟 - 美国大都会艺术博物馆展品查阅

品名（中）	在生锈的桥上，拿着琴瑟
品名（英）	On a Rustic Bridge, Carrying a Zither
入馆年号	2015年，2015.300.177
策展部门	亚洲艺术（Asian Art）
创作者	Urakami (Uragami) Gyokudō 浦上玉堂【1745 至 1820】【日本人】
创作年份	公元 1600 - 公元 1880
创作地区
分类	绘画（Paintings）
尺寸	图像: 50 1/4 × 21 5/16 英寸 (127.7 × 54.2 厘米) 整体 with mounting: 73 1/4 × 27 7/16 英寸 (186 × 69.7 厘米) 整体 with knobs: 73 1/4 × 32 5/16 英寸 (186 × 82 厘米)
介绍（中）	一位老人背着一把古筝（中文：qin；日文：koto），背着一名仆人，穿过一座桥，向一位等待的熟人走去。Uragami Gyokudō的后期作品的特点，从他六十岁到七十岁早期，这幅画乍一看似乎不受控制；短树枝像鞭炮一样从树上爆炸，干枯的柳叶发出刺痒的线条。然而，经过仔细观察，这幅作品揭示了一个精心的结构：山、山和岩石大致以淡墨汁的形式排列，以清晰、有节奏的动作运用深色的笔触，赋予了形式生命和活力 Gyokudō在职业生涯早期是冈山池田大名家族的一名家臣。49岁时，他退休后开始追求文人的生活，专注于七弦琴（shichigenkin）的演奏和作曲，以及绘画富有表现力的水墨风景。
介绍（英）	An elderly man with a servant carrying a zither (Chinese: qin; Japanese: koto) on his back traverses a bridge toward an awaiting acquaintance. Characteristic of Uragami Gyokudō’s later works, from his sixties and early seventies, the painting at first glance seems uncontrolled; short twigs explode from trees like firecrackers and dry willow leaves burst forth in scratchy lines. On closer inspection, however, this work reveals a careful structure: the mountains, hills, and rocks roughly laid out in light washes of ink, which are animated by darker strokes applied in clear, rhythmic movements that impart life and vitality to the forms. Gyokudō was a retainer for the Ikeda daimyo clan in Okayama in his early career. At age forty-nine he retired to pursue the life of a literatus, focusing on performing and composing for the seven-stringed zither (shichigenkin) as well as painting expressive ink landscapes.