溪边的春天树木和草地 - 美国大都会艺术博物馆展品查阅

品名（中）	溪边的春天树木和草地
品名（英）	Spring Trees and Grasses by a Stream
入馆年号	1949年，49.35.2
策展部门	亚洲艺术（Asian Art）
创作者
创作年份	公元 1667 - 公元 1733
创作地区
分类	绘画（Paintings）
尺寸	48 英寸 x 10 ft. 3 英寸 (121.9 x 312.4 厘米)
介绍（中）	这条流经时空的轻柔蜿蜒的溪流，除了墨线突出了其柔和弯曲的形状外，没有任何油漆。一丛红色的杜鹃花与松树的浓绿形成对比。樱花在散落在溪流上之前，绽放出转瞬即逝的光彩，这标志着春天的顶峰，而对岸的山玫瑰（kerria）则预示着春天的逝去在左侧屏幕上（15.127），小溪流入秋天，穿过阳光照射下的草羽和木兰树上已经是棕色的巨大叶子，几乎遮住了远处弯曲的灌木三叶草和菊花。在左边，金色的银杏叶在傍晚的光线下闪闪发光，还有醒目的红白枫叶这幅画概括了几代Rinpa艺术家的风格特征，从17世纪初的Tawaraya Sōtatsu开始，一直延伸到绪方和在他之后工作的匿名Rinpa艺术家（一对中的一对；见15.127）
介绍（英）	The gently meandering stream, flowing through time and space, is unpainted except for the lines of ink that accentuate its softly curving form. A single clump of red azalea contrasts with the intense green of the pines. A glimpse of cherry blossoms in evanescent glory before they scatter on the stream marks the peak of spring, while the mountain rose (kerria) on the far bank betokens its passing. The stream flows into autumn on the left screen (15.127), through sunlit plumes of grass and huge, already brown leaves on a magnolia tree that all but obscures the bending forms of flowering bush clover and chrysanthemum beyond. To the left, golden ginkgo leaves shimmer in the late afternoon light with bold red and white maple leaves. The painting encapsulates stylistic features of Rinpa artists across a couple of generations, beginning with Tawaraya Sōtatsu in the early seventeenth century, and extending to Ogata Kōrin and anonymous Rinpa artists working in his wake. (One of a pair; see 15.127)