与维齐尔·达吉的两名官员或儿子一起救济 - 美国大都会艺术博物馆展品查阅

品名（中）	与维齐尔·达吉的两名官员或儿子一起救济
品名（英）	Relief with two officials or sons of the Vizier Dagi
入馆年号	1912年，12.180.243
策展部门	埃及艺术（Egyptian Art）
创作者
创作年份	公元前 2010 - 公元前 1981
创作地区	来自于: 埃及（From: Egypt）
分类
尺寸	长 63 厘米 (24 13/16英寸); 高 47.2 厘米 (18 9/16 英寸); 深 7.7 厘米 (3 1/16 英寸)
介绍（中）	达吉在门图霍特普二世（公元前2010–2000年）晚期和门图霍特普三世（公元前2000–1988年）统治时期担任财政部长和维齐尔。他的岩石切割墓呈传统的"藏红花"形状，带有柱状立面，俯瞰着阿萨西夫山谷（Deir el Bahri的东部延伸部分）。由于岩石的易碎性，巨大的柱子必须用砖加固。柱子的砖和岩石部分都用灰泥覆盖，并绘有日常生活中的场景不同寻常的是，进入内部的走廊从陵墓正面开始，而不是像往常一样从柱子后面的横向大厅开始。它通向一个内部奉献礼拜堂。走廊和礼拜堂都用细石灰石包裹，并用彩绘浮雕装饰。这座墓在早期基督教时代被用作修道院，当时或更早的时候，套管块被拆除并粉碎。只有少数碎片被回收；这一精美的浮雕在风格发展上形成了令人信服的联系，从早期的Kheti墓浮雕（见26.3.354*）到后来的Lisht North浮雕（07.227.20）。这里有两个装饰精美、妆容精致的年轻人蹲着，每个人都抬起膝盖。他们的态度是虔诚的，左手放在右肩上，右手抓着左前臂。保存下来的象形文字是Saiset（伊希斯之子），这是早期使用女神伊希斯命名的一个例子。目前尚不清楚这两人是墓主人的儿子，还是在其宫廷任职的高级官员。
介绍（英）	Dagi was a treasurer and vizier during the late years of Mentuhotep II (2010–2000 B.C.) and the reign of Mentuhotep III (ca. 2000–1988 B.C.). His rock-cut tomb, which has the traditional shape of a "saff"-tomb with a pillared facade, overlooked the Asasif valley (the eastern extension of Deir el-Bahri). Owing to the friable consistency of the rock, the massive pillars had to be strengthened with brick. Both the brick and rock segments of the pillars were covered with plaster and painted with scenes from daily life. Unusually, the corridor into the interior started from the tomb facade, not from the transverse hall behind the pillars, as was the norm. It led to an interior offering chapel. Both the corridor and the chapel were cased in fine limestone and decorated with painted reliefs. The tomb was used in early Christian times as a monastery, and the casing blocks were, either at that time or earlier, taken down and smashed to pieces. Only a handful of fragments were recovered; the exceptionally fine relief forms a convincing link in the stylistic development from the earlier reliefs of the tomb of Khety (see 26.3.354*) to later reliefs from Lisht North (07.227.20). Here two exquisitely adorned and made-up young men are squatting, each with one knee up. Their attitude is reverential, with their left hands on their right shoulders and their right hands gripping their left forearms.The preserved hieroglyphs read Saiset (Son of Isis), an early example of the use of the goddess Isis in a name. It is unclear whether these two men are sons of the tomb owner or high officials who served in his court.