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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)阿肯那顿牺牲鸭子
品名(英)Akhenaten Sacrificing a Duck
入馆年号1985年,1985.328.2
策展部门埃及艺术Egyptian Art
创作者
创作年份公元前 1353 - 公元前 1336
创作地区可能来自: (Probably originally from: )
分类
尺寸高 25 × 宽 55 × 深 3.3 厘米 (9 13/16 × 21 5/8 × 1 5/16 英寸)
介绍(中)法老阿肯那顿认为光是宇宙中唯一的神圣力量,而太阳盘是这种力量进入世界的途径。阿肯那顿的神,阿滕,是通过一个太阳圆盘的象征来描绘的,太阳光的末端是小人类的手。这个阿滕符号是一个大型象形文字,意思是"光"。在阿肯那顿的象征中,其中一只手的鼻子上挂着一个生命的象征——ankh象形文字

在寺庙浮雕的这一块上,阿肯那顿(Akhenaten)手持一只鸭子向阿滕(Aten)走去。他一只手拧了拧鸟的脖子,然后把它献给上帝。尽管早期对阿肯那顿的描绘经常显得奇怪地夸张,但在他统治的后期,雕塑家们尝试了一种更自然的风格,强调空间感和运动感。阿肯那顿的双手紧紧抓住挣扎的鸭子。这样一个场景,捕捉了一个瞬间,在早期是永远不会尝试的。然而,阿肯那顿的右手是扭曲的,这样就可以看到所有的五个手指,这个姿势符合埃及的惯例,即尽可能完整地展示身体的各个部位。右下方是第二只鸭子的蹼足

在这幅浮雕中,艺术家用一种称为下沉浮雕的技术将人物的轮廓切割到表面。下沉浮雕主要出现在建筑物的外部,轮廓投射出阴影,强调阳光。在阿玛纳时期,几乎所有的浮雕都是用这种技术完成的。
介绍(英)The pharaoh Akhenaten believed that light was the only divine power in the universe and that the solar disk was the means through which this power came into the world. Akhenaten's god, the Aten, is portrayed through the symbol of a solar disk with rays ending in small human hands. This Aten symbol serves as a large-scale hieroglyph meaning "light." In representations of Akhenaten, one of these hands holds an ankh hieroglyph, the symbol of life, to his nose.

On this block from a temple relief, Akhenaten, recognizable by his elongated features, holds a duck toward the Aten. With one hand he wrings the bird's neck before offering it to the god. Although early depictions of Akhenaten often appear strangely exaggerated, later in his reign sculptors attempted a more naturalistic style, emphasizing a sense of space and movement. Akhenaten's hands here are grasping and straining to hold the struggling duck. Such a scene, capturing a single moment, would never have been attempted in an earlier period. However, Akhenaten's right hand is twisted so that all five fingers can be seen, a pose that conforms to the Egyptian convention of presenting each part of the body as completely as possible. To the lower right appear the webbed feet of a second duck.

In this relief, the artist has cut the outlines of the figures into the surface in a technique called sunk relief. Sunk relief appears mostly on the exterior of buildings, where the outlines cast shadows, emphasizing the sunlight. During the Amarna period almost all relief was executed in this technique.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。