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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)Canopic罐子(带盖子30.8.54)
品名(英)Canopic Jar (with lid 30.8.54)
入馆年号1907年,07.226.1
策展部门埃及艺术Egyptian Art
创作者
创作年份公元前 1349
创作地区来自于: 埃及(From: Egypt)
分类
尺寸Jar only: 高 36.9 厘米 (14 1/2 英寸); 直径 24 厘米 (9 7/16 英寸) Jar with lid: 高 53.2 厘米 (20 15/16 英寸)
介绍(中)虽然这只带冠的罐子是为了陪葬,但盖子上的脸是由一位大师雕刻的,他在更公开的肖像中可能会有技巧和细心。无论主人去世时的年龄如何,她都被赋予了永生的青春容颜。这张脸的形状,修长的鼻子,呆滞的眼睛和性感的嘴巴,使它成为阿玛纳时代后半期的产物。罐子和盖子在古代被改动过,因此很难辨认出原来的主人

罐盖上雕刻的醒目的面孔代表阿玛纳的一位王室女性。她的重叠卷发发型被称为努比亚假发,只有成年人戴,在阿赫那顿家族的女性成员中很受欢迎。前额中央的洞曾经固定着一条单独雕刻的眼镜蛇的上半身,眼镜蛇的尾巴可以从假发顶部看到。这件皇家护具只供国王和王后佩戴

自1907年被发现以来,这张脸被各种各样地认定为阿肯那顿的母亲提耶王后的脸;内弗蒂蒂王后,他的主要妻子;基娅王后,他深爱的第二任妻子;还有他的长女梅丽塔滕公主。有一段时间,它甚至被认定为阿赫那顿本人。这种困惑是可以理解的,因为标识主人的铭文几乎被完全抹去了。隐约可见的象形文字痕迹表明,这只罐子最初是为基雅而刻的,而努比亚人的假发最常与这位女王联系在一起。然而,在某些方面,这张脸与后来的提耶肖像更为相似,很可能这张盖子最初属于她的埋葬设备,后来被放在了基雅的卡诺皮罐上

发现罐子的陵墓,国王谷的KV 55,可能是所有埃及陵墓中最具争议的。里面有为提耶女王题写的埋葬设备和刻有阿肯那顿名字的神奇砖块。还有四个罐(包括这一个)和一个镶嵌木棺,几乎可以肯定是为Kiya制作的。为了妥善保管,图坦卡蒙似乎将这些材料从阿赫那顿在阿玛纳的墓中转移到了底比斯,而这座墓似乎在阿赫那滕死后不久就被洗劫一空。Kiya的罐子和棺材可能在当时被重新用于埋葬另一位王室成员。
介绍(英)Although this canopic jar was intended for a funerary context, the face on the lid was carved by a master with the skill and care one might expect in a more public portrait. Whatever the age of the owner at her death, she was given a youthful countenance for the eternal afterlife. The shape of the face, with its long slender nose, sloe eyes, and sensuous mouth, identifies it as a product of the latter half of the Amarna period. The jar and lid were altered in antiquity, making it extremely difficult to identify the original owner.

The striking face carved on the jar lid represents one of the royal women of Amarna. Her hairstyle of overlapping curls, known as the Nubian wig, was worn only by adults and was popular among the female members of Akhenaten's family. The hole at the center of the forehead once secured the separately carved upper body of a rearing cobra whose tail is visible across the top of the wig. This royal protector was exclusively worn by kings and queens.

Since its discovery in 1907, the face has been variously identified as that of Queen Tiye, Akhenaten's mother; Queen Nefertiti, his principal wife; Queen Kiya, his beloved secondary wife; and Princess Merytaten, his eldest daughter. For a time, it was even identified as Akhenaten himself. This confusion is understandable, since the inscription identifying the owner was almost completely erased. Faint traces of hieroglyphs indicate that the jar was originally inscribed for Kiya, and the Nubian wig is most frequently associated with this queen. In some respects, however, the face more closely resembles later representations of Tiye, and it is possible that the lid originally belonged to her burial equipment and was later placed on Kiya's canopic jar.

The tomb in which the jar was found, KV 55 in the Valley of the Kings, is probably the most controversial of all Egyptian tombs. It contained burial equipment inscribed for Queen Tiye and magical bricks with the name of Akhenaten. There were also four canopic jars (including this one) and an inlaid wooden coffin almost certainly made for Kiya. It appears that, for safekeeping, Tutankhamun had this material transferred to Thebes from Akhenaten's tomb at Amarna, which seems to have been plundered soon after Akhenaten's death. The jars and coffin of Kiya may have been reused at that time for the burial of another member of the royal family.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。