镶嵌和神社元素 - 美国大都会艺术博物馆展品查阅

品名（中）	镶嵌和神社元素
品名（英）	Inlays and Shrine Elements
入馆年号	1921年，21.2.2-related
策展部门	埃及艺术（Egyptian Art）
创作者
创作年份	公元前 380 - 公元前 30
创作地区	来自于: 埃及（From: Egypt）
分类
尺寸	various measurements for group
介绍（中）	在寺庙中，埃及众神的小雕像被安置在小神龛中，他们从那里出来举行仪式。神也有游行树皮，上面有神龛，神在寺庙内外的游行中隐藏在神龛中。从公元前六世纪后期开始，密密麻麻地镶嵌着雕像、象形文字和装饰性玻璃元素的木制神龛得到了证实。镶嵌元素可以放置在单独的单元格中，也可以连续粘附在公共背景上。然而，大多数这样的神社只能从寺庙沉积物中保存的杂乱无章的元素中得知，这些元素在沉积物中的神龛腐烂后。这个想象中的场景来自一起购买的一大群精美的单色和马赛克玻璃镶嵌物。从同一个集合体中出现了柱鼓，青铜螺栓适当地以"门闩"和"联合"象形文字的形式，一根方形青铜杆和四个青铜附件。该地段还包括一些镀金石膏。欲了解更多信息，请参阅下面的策展解释。链接到大都会博物馆关于托勒密艺术的博客尼罗河和新来者：埃及托勒密艺术的新装置
介绍（英）	In temples, statuettes of Egyptian gods were housed in small shrines, from which they emerged for rituals. Gods also had processional barks that carried shrines in which the god remained concealed during processions within and outside the temple. Wood shrines densely inlaid with figural, hieroglyphic, and decorative glass elements are attested from the late sixth century B.C. onward. Inlay elements might be placed in separate cells or be contiguously adhered on a common background. Most such shrines are, however, only known from the jumbled masses of elements preserved in temple deposits after the shrine(s) in the deposit had decayed. This imagined scene draws from a large group of fine, monochromatic and mosaic glass inlays that were purchased together. From the same aggregation come column drums, bronze bolts appropriately in the form of a "door bolt" and "union" hieroglyphs, a square bronze rod, and four bronze attachments. The lot also included bits of gilded plaster. For more information, see the Curatorial Interpretation below. Link to a blog about Ptolemaic Art at The Met Nile and Newcomers: A Fresh Installation of Egyptian Ptolemaic Art