释迦牟尼征服恶魔（Shaka Gōma zu） - 美国大都会艺术博物馆展品查阅

品名（中）	释迦牟尼征服恶魔（Shaka Gōma zu）
品名（英）	Shakyamuni Conquering the Demons (Shaka Gōma-zu)
入馆年号	1914年，14.76.61.51
策展部门	亚洲艺术（Asian Art）
创作者	Kawanabe Kyōsai 河鍋暁斎【1831 至 1889】【日本人】
创作年份	公元 1878 - 公元 1898
创作地区
分类	绘画（Paintings）
尺寸	14 1/2 x 11 英寸 (36.8 x 27.9 厘米)
介绍（中）	这个场景可能描绘了沙卡（Skt：释迦牟尼）生活中的一个插曲，历史上的佛陀，魔王玛拉的攻击。然而，释迦佛能够击败玛拉和他的军队，从而获得觉悟。一些图像元素修改了传统的图像：火焰龙取代了通常代表玛拉的恶魔人物形象;一个岩洞代表菩提树作为沉思的地方;佛陀的手在祈祷的手势中。在这幅 19 世纪的画作中，代表历史上佛陀的传统绘画元素是佛陀眉毛（urna）和头上的颅骨肿块（usnisa）之间的簇。这种对佛陀启蒙的复杂呈现包含了其他佛教标志性表现中熟悉的元素，例如，佛陀下山（Shussan Shaka）或拉坎的户外环境，在这张专辑中经常被表现为沙卡，有一条龙。画家京斋是为数不多的明治画家之一，他的画作在西方被收藏和欣赏。这幅画强有力的主题与丝绸上非常精细的黄金的精致制作形成鲜明对比。
介绍（英）	This scene probably depicts an episode from the life of Shaka (Skt: Shakyamuni), the historical Buddha, the attack of the demon king Mara. Shaka Buddha was able however, to defeat Mara and his army and thus attain enlightenment. Some pictorial elements modify the conventional iconography: a flaming dragon replaces the demonic human figure usually representing Mara; a rock cave stands in for the bodhi tree as a place of contemplation; and Buddha's hand is in the prayer gesture. Traditional pictorial elements for representing the historical Buddha in this 19th century painting are the tuft between Buddha's brows (urna) and the cranial bump on his head (usnisa). This complex presentation of Buddha's enlightenment contains elements familiar from other Buddhist iconic representations, for instance, the outdoor settings of Buddha Descending the Mountain (Shussan Shaka) or of Rakan, who is often represented as is Shaka in this album leaf, with a dragon. The painter, Kyōsai was one of the few Meiji painters whose paintings were collected and appreciated in the West. The powerful subject matter of this painting contrasts with the refined execution of very fine gold on silk.