四季花鸟 - 美国大都会艺术博物馆展品查阅

品名（中）	四季花鸟
品名（英）	Flowers and Birds of the Four Seasons
入馆年号	2015年，2015.300.99a, b
策展部门	亚洲艺术（Asian Art）
创作者	Ikeda Koson【1803 至 1868】【日本人】
创作年份	公元 1834 - 公元 1866
创作地区
分类	绘画（Paintings）
尺寸	图像 (a): 42 3/8 × 14 3/16 英寸 (107.7 × 36 厘米) 整体 with mounting (a): 76 3/16 × 18 11/16 英寸 (193.5 × 47.5 厘米) 整体 with knobs: 76 3/16 × 20 3/4 英寸 (193.5 × 52.7 厘米) 图像 (b): 42 5/8 × 14 1/4 英寸 (108.3 × 36.2 厘米) 整体 with mounting (b): 76 3/8 × 18 3/4 英寸 (194 × 47.6 厘米) 整体 with knobs (b): 76 3/8 × 20 13/16 英寸 (194 × 52.8 厘米)
介绍（中）	右边的卷轴描绘了春天和夏天的花朵；左边，秋天和冬天的花朵和树叶。这两部作品都以微妙而丰富的色调和柔和的色彩进行创作；叶子、树枝和花朵以"无骨"的方式呈现，没有典型的Rinpa风格的轮廓。在许多区域，颜料被聚集或凝聚在一起，形成斑驳的效果，这一技术被称为tarashikomi 在酒井Hōitsu的更有才华的学生中，铃木清一（1796-1858）可能是最著名的，但他年轻的同时代的池田小松也是一位有能力并致力于Rinpa传统理想的艺术家。然而，科森对其他绘画风格的影响持开放态度；这对挂轴的诗意和近乎感性但柔和的色彩很大程度上归功于科森的Rinpa训练。
介绍（英）	The right-hand scroll depicts flowers of the spring and summer seasons; the left, flowers and foliage of autumn and winter. Both works are executed in subtle yet rich tones and soft washes of color; leaves, branches, and flowers are rendered in the “boneless” manner—devoid of outline—that was typical of established Rinpa style. In numerous areas pigments are pooled or puddled together to create a mottled effect, a technique known as tarashikomi. Among the more talented students of Sakai Hōitsu, Suzuki Kiitsu (1796–1858) is perhaps the most famous, but his younger contemporary Ikeda Koson was also an artist of great ability and dedication to the ideals of the Rinpa tradition. Koson was open to influences from other styles of painting, however; this pair of hanging scrolls owes much of its poetic appeal and its almost sensuous yet subdued colors to Koson’s Rinpa training.